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OOC
Here

mother of sorrows

๐‘Ÿ๐‘’๐‘๐‘ข๐‘™๐‘ ๐‘–๐‘ฃ๐‘’ ๐‘๐‘œ๐‘ค๐‘’๐‘Ÿ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘ค๐‘œ๐‘Ÿ๐‘š.

d398af11cf3b28d7134b9e7e99d24db8.jpg

๐“๐‡๐„ ๐‚๐€๐’๐“.

Hi, hi and welcome to the character sheets! Some stuff to note before jumping into the sheets themselves;

โœฆ some roles are already reserved, so please read through them carefully!
โœฆ your character's personality doesn't have to be the exact same as described; for example, the hierophant does not have to be strictly calm, nor does death need to be regretful, etc.
โœฆ lgbt+ and diverse characters are very much welcome.
โœฆ again; please be reasonable with the character ages! they should be 20+.
โœฆ keeping some secrets for yourself is very much wlecome.
โœฆ quality > quantity. codes are not necessary! i would love to see characters with their own issues, ambitions, goals and deep flaws. c:
โœฆ once again, this will not be first come first serve.
This code has a hidden scroll, with the sheet below!



๐“๐‡๐„ ๐’๐‡๐„๐„๐“.

Full Name:
Nickname:
(if applicable)
Age: (20+)
Gender:
Sexuality:
Ethnicity:
Family:
Role:

Faceclaim:
(only realistic, please; no drawings/art)
Appearance: (if using a faceclaim, you can delete this or add bonus info)

Personality:
Background:
(this doesn't have to be long or detailed; you can write only what other characters are aware of, keeping some secrets for yourself!)
Extra:
Reputation:
(very much optional but just to add a lil bit of spice,you can write what the talk in town is about your character; rumors, scandals, etc. this does not have to be accurate or even true, but this is just to add some fun to character interaction later on!)

Feel free to add anything to the sheet or customize it as you see fit, but please don't delete anything (with the exception of appearance/faceclaim and reputation). Have fun and if you have any questions, don't be afraid to ask in the OOC!
 
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๐˜Œ๐˜”๐˜๐˜“๐˜๐˜– ๐˜ˆ๐˜๐˜•.
๐™๐™ƒ๐™€ ๐™€๐™ˆ๐™‹๐™๐™€๐™Ž๐™Ž.


... scroll.

Nickname:
Emi
Age: 31
Gender: Cis Male
Sexuality: Bisexual
Ethnicity: Afro-Cuban, Korean
Family: Avancini

Appearance:

Personality:
People never run out of things to say about Emilio, it seems.

His colleagues might call him a born leader, a cool head to keep the others in check. The one to not crack under pressure when everything seems lost, even in the heat of the fire. His enemies might have the same kind words to offer; they call him a young power-grabber, a newcomer biting off more than he can chew.

There's some truth in both, though not in the way somebody might assume.

With every breath, step, glance, Emilio strives to be more than just a good leader; he wants to be an amazing one. Ice cold nerves, determination, and harsh self-discipline are his lifeblood, making him the capable man he is today. He strives to be the modern Renaissance man, armed with a wide array of knowledge and skills. He is well-read and very much capable of expressing and organizing his thoughts, something that is critical for when the world is on your shoulders. Calm-spoken, surprisingly kind to those around him, and endlessly patient, Emilio is a man that is hard to offend, much less anger. That does not mean he will tolerate disrespect; but he is not one to rise to jabs or placed traps for the sake of his pride.

It's not hard to see why he inspires loyalty in the other Avancini. Boss he might be, but Emilio is under no illusion that a boss is anything without his members - listening to problems, morning chats over coffee, and shared food are just one of the many rituals he shared with the Avancini, hoping to be a colleague and friend rolled in one.

There's his problem, though. He wants to be the mercy, justice, and anger of a God all at once. A very difficult task for one man alone - not that Emilio won't run himself into the ground trying.

Working into the late hours of the night, waking early to work some more, sparring, reading, finding secrets, checking on his members and status alike, trying his very hardest to make the organization run as it should. It's not that Emilio is not good at what he does; no, the exact opposite of that. But one man can only do so much with the weight of the world on his shoulders. Unfortunately for him and others, Emilio is unwilling to load some of the weight on anybody else. When he's not shaking from too much coffee and too little sleep, he's rushing to better himself at any costs. There's so much left to be done when he rises and no convincing will make him stop to take a breather.

Emilio Ahn is brilliant, promising; but that matters little when the rope he's hanging on to is as thin as thread.

This fault might make people underestimate him.

He might be peaceful and tired and with too many worries lying in his brain, but he is still an Avancini. A mistake people often make is think peaceful means being a stranger to cruelty.

You're not peaceful if you're not capable of great violence. You're harmless.

Emilio is anything but harmless.

Aesthetic: Late night talks, dark circles under eyes, long-cold coffee, secret smiles, rainy mornings, smell of a wet forest.

Background: A very false assumption people often make is that those who never had any power are the ones who will desire it most.

You'd think that at one point you would get tired of being pushed and humiliated and treated like the dirt upon which to walk on, you'd finally take back the control that's rightfully yours - but the thing is, if you were never even given the opportunity to do that, you won't even consider the possibility power might be in your reach. No, those with no power are the ones who give in, the walking wound of a person, leaking trauma and fear everywhere they go.

Much more dangerous is holding on to power for even a second. The moment when finally, you're the one with control. Maybe not a lot of it, hell, quite possibly only a scrap - but once you had it in your hands, it's hard to forget the taste.

For Emilio, this moment came when he kicked his older brother out of a tree so harshly the boy broke his leg. An action he would severely regret once his brother was out of a cast.

And yet in that split heartbeat, it felt like spitting back double the poison he was always given.

It might be obvious if you dissect the way he behaves, that Emilio was a child that was not fed love on a silver spoon.

His early life was not one of great note. Born in Cuba as the son of a Korean-Cuban father - a man that has not once laid eyes on his motherland, and a local mother - a woman that has long given up on her own dreams, Emilio came into his parent's life fairly late. They were well into their mid-thirties when they learned of the unexpected pregnancy, something that brought a crushing sense of anxiety. Bearing a child is never easy, much less when you're older. After careful monitoring and consultation, the couple took the news in stride, deciding to go through with the new life growing in utero. They welcomed Emilio happily enough, though they did not plan for him; the first months were anything but easy, something they would hang over Emilio's head during arguments.

'You weren't supposed to have been born, but we took care of you anyways.'

Not so accepting of the new baby was their other son, Ali.

At barely 12 years old, the boy already had a vicious temper that would match a grown man's. With no idea how to tame his destructive behaviors and with him not listening to anybody but his own impulsivity, Ali was a ticking time bomb of a child. You know the ones; with too early violence and a little bit too much delight in fighting than is comfortable. Anybody would be thrown off if they've been a single child for years - some bitterness is to be expected, maybe even excused. But the kind of jealousy and anger Ali targeted towards the baby Emilio was beyond undeserved, even for a scorned firstborn.

Being a kid is not easy. Even more so when you're born with an enemy at heel.

It's not often that Emilo thinks about the past, much less talk about it. There are still knots he hasn't worked through, wounds he hasn't stitched, bodies left unburied in his mind. Only a few - quite possibly only his right-hand man and Kiko, two people he trusts above all - are privy to the inner workings of his brain, to the mechanics of why he ticks the way he does.

As far as the others know, Emilio appeared on the shores of the States when he was 20 - a stranger in a stranger land, a wild kind of fire raging in his eyes, and a discomforting thirst to take even what was not given. The young criminal never stuck around for long, a ghost in people's memory after relieving them of their cash and glory. Trading secrets, killing for survival, blazes of glory, and explosions in the night; the first few years of being a rogue criminal were rife with debts and secrets that follow him to this day.

It was then, in those wild, unholy years that he met the High Priestess.

The rest was history, the moment he turned 25 and signed his work away to the Avancini. He's seen many things, brushed with death too many times to be completely unaffected; and the Avancini were a safe-house, a lighthouse in harsh, devouring waters. He worked and worked and worked till there was nothing else he knew, suddenly finding himself becoming the boss' right-hand man.

Emilio was under no illusion that he was going to be boss anytime soon. It would be a decade at least before anybody would consider putting the crown on him - something he planned for in the far away, hazy future when a different Emilio was going to exist.

Nobody would expect to wake up one morning, finding the boss' body slumped from bullets in his head.

Emilio suddenly found himself in deep waters, when the whole time he thought he was on the shore. He was as disturbed as anybody else to find himself holding so much power overnight, his inheritance a rushed affair he barely remembers.

There's something to be said about love and power in that.

Because if you aren't fed love on a spoon, you'll learn to lick it off knives.

Extra: Speaks Cuban Spanish and English. Having not spoken it himself, his father never taught him Korean - something Emilio has been trying to fix in the past years. A pretty good dancer.

Reputation: The first year of a new boss is always the most dangerous.

With so many eyes on him, rumors are bound to happen sooner or later; some are more kind to him, some less so. Word is that so far, the other bosses are keeping a close eye on Emilio, trying to decide if he'll get his sea legs under him - or if they can swarm in to devour his corpse. A failed assassination attempt on him speaks volumes about what kind of situation he is in right now. A failed shot and the attempted assassin escaped left the Avancinis with no answers and a deep sense of unease.

The town is divided on the subject. Some think Emilio has potential, a new star keep a close eye on lest he grows powerful; while others think he won't make it past his first year, ending up being fed to a river by a rival.

 
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๐˜”๐˜ˆ๐˜›๐˜Œ๐˜ก๐˜ ๐˜ˆ๐˜‹๐˜ˆ๐˜”๐˜š๐˜’๐˜
๐™๐™ƒ๐™€ ๐™€๐™ˆ๐™‹๐™€๐™๐™Š๐™.




... scroll.

Full Name:
Matezh Adamski
Nickname: None
Age: 48
Gender: Cis Male
Sexuality: Straight man fighting demons, but the demons are bisexual thoughts.
Ethnicity: Polish-American
Family: Adamski
Faceclaim: Joel Kinnaman

Personality: To say Matezh is a difficult man is not even the beginning.

For all those that work under him, all he appears to be is a cold, unnerving presence. Never wavering in his conviction, never putting his feelings first, always with a strong sense of duty, Matezh sees himself as the one who has to make the difficult choices nobody wants to make. When others squabble with panic, Matezh does - heavy is the head that wears the crown, and even heavier is the finger pointed at him in the aftermath. He will be the villain in he needs to. He will be the evil patriach, the cruel monster making your life hell in your eyes. He'll bear all the guilt and accusations and hate, but nobody can deny he is the driving force behind the Adamski. Where others fail to act, he will do what needs to be done; no matter how high the cost may grow.


A dog gnawing it's own leg, Matezh is a very hard man to love. And yet, he is not easy to hate either.

He does not mean to be cruel; and yet, years of abuse and one tragedy after the other have shaped him into a cynic that looks for graves when he smells flowers. Affection is a stranger to him, as is soft calm. You do not survive with a caressing hand - Matezh learned that the hard way. To survive means to be cut from stone, and above anything, Matezh wants others to live. He breaks the things he loves more often than not, though he tries. With a deep love for his family, and yet with no way to show it, Matezh often settles on silence.

Aesthetic: Blood on marble floors, dark bruises, broken noses, midnight executions, Greek poetry, tragic operas, rare smiles in the morning light.

Background: When Matezh was twelve, his father took him to look at broken things in Rome.

Extra:
Reputation:
 
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placeholder for ze world.






kiko na chiangmai a.k.a J1NX
















# the world




# kitty chicha amatayakul










โ™กcoded by uxieโ™ก





































kiko na chiangmai




the world

tell me, father, which to ask forgiveness for: what i am, or what i'm not?







































  • requisite.







    full name

    Kiko Na Chiangmai






    age

    29 years old






    gender

    cis-female






    sexuality

    Panromantic Demisexual






    family

    Avancini






    ethnicity

    thai















    visage.



    scroll




    height

    Standing at 5'7", Kiko is just above average height; nothing extraordinary, however, her preference for platform boots give her an extra boost.






    hair

    Kept a plain dark brown, Kiko is one to opt for low maintenance hairstyles; lacking skill, time, and patience, itโ€™s no surprise sheโ€™s made this decision upon herself. However, when the thick tendrils are styled, theyโ€™re often in low ponytails, soft, yet messy and effortless curls, or tucked under hats.









    eyes


    Pits of deep brown, nearly black, the color is significantly brighter as the light hits -- resembling pools of honey. Accompanied by dark circles, it's obvious Kiko isn't much of a sleeper -- long coffee-filled nights with the endless typing of a keyboard. Staring at a screen has its downfalls, a frequent wearer of contacts, never one to favor glasses. Thick, straight, black eyelashes that can barely hold a curl, Kiko doesn't bother to try and spruce them up.








    style

    Inspired by punk, grunge, and goth culture, Kiko's closet consists of heavy duty boots, distressed clothing, and dark color palettes. She isn't one to stray away from experimentation, one look could be vastly different from the day prior. Other days, she may only opt for her pajamas, comfort over style a frequent mentality. i. ii. iii.







    Body Mods and Markings

    Random stickers of tattoos, both at home and professional; stick-and-poke and machine, these permanent inks have no direct meaning. Often done on impulse, Kiko can barely recall how many she has to be exact -- however, she does know that they exceed 15. A lover of jewelry, the woman has double nose rings, and multiple ear piercings. With an occasional scar, Kiko collects them like trophies -- both from fist fighting and her own, unfortunate, clumsiness. i. ii. iii.






    Pinboard






















โ™กcoded by uxieโ™ก
 
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the hanged man.















scroll

Cas



Casimir




ใ…Žใ…Ž














01.

full name




Casimir Sayed-Adamski








02.

age




27 years old.








03.

sexuality




demiromantic pansexual








04.

Pronouns




he/him; cis-male








05.

ethnicity




Egyptian-Belgian-Lebanese




































  • XII.



    the adoptive son, child of no one.













โ™กcoded by uxieโ™ก
 
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xvi.
h.e. bechtel




the tower.


coded by xayah.แƒฆ
































h.e.b



hero




the tower.

i'm up to my eyeballs in red neon suits and spray-on tans... i'm down to my underwear b/c i threw it all away in a wendy's trashcan







































  • requisite.







    full name

    Hero Edmund Bechtel






    preferred names

    H.E., Edmund, Eddie, Ed






    age

    twenty-five






    gender

    cis male โ€“ he/him






    sexuality

    Does it look nice? Yes? Then yes.






    occupation

    law student and intern at Markham, Finn, & Bladel, a top law firm in St. Heights. Specializes in criminal and contract law.






    ethnicity

    Polish-German






    family

    Avancini






    role

    The Tower















    visage.



    scroll




    height

    5โ€™7โ€™โ€™






    build

    Lithe, though not necessarily by any sort of intention. Prone to hyperthyroidism, his body naturally remains thin. His mother, Sonja, likes to joke it's because he was a preemie






    body modifications

    Outfitted with 18g gauges, rotund glasses, and a small septum ring, most people do not recognize Hero as being a part of the Adamski name. Unseen are a tattoo of an evil eye on his back, upper middle, a serrated scar on the bridge of his nose, indescribable marks and scars down his torso and shin on the same side (some burnt-looking, others clear cut), along with other scars on his forearms, typically covered by sleeves.






    style

    A proto-professional, though admittedly his days of raves and emo stylings remain in casual attire. A closet consisting of low-rise jeans, cropped shirts, and band-tees mingled with prim-pressed slacks, tweed jackets, and cashmere sweaters. More here.






    mannerisms

    Tends to curl his hand into a fist and knock it against his thigh when heโ€™s trying to think through a swirl of emotions, restless leg syndrome-haver, bites off his taste buds on the tip of his tongue just to know heโ€™s alive, itches the bridge of his nose, readjusts his glasses when thinking normally, fluffs his hair back absentmindedly.






    details

    His temple is a slaughterhouse. The mind rotates on its brain-stem axel, and it tears at the edges of his fabric. His skin. Hero does not wear a cape, but he is not shrouded in the mystery of a villain, either. There is greymatter in all this volume he takes up. The space heโ€™s sought to make smaller, and smaller, and smaller. Eventually, he will chop up every bit into their individual atoms. He will stop existing as H.E., as he will no longer be the parts that makes up such a stupid fool.
    His arms hang down by his sides, yet his shoulders are trimmed back. The butcher inside nibbles slowly. If there is a rat amongst the Avancini, it is him, but solely because he hungers. He is consuming himself in seeking rebirth. Scrappy. Starving. His eyes jolt and waver, watery with tears he thirsts to shed. There is a soul in this shell.
    A myriad of technicolor bricks to form the crumbling castle. There are shards missing, scars from misunderstood crimes, but he triumphs. The Adamski name is a mountain Eddie climbs, a fortress he is simply a turret of. You can see, if your eyes guide close enough to the bluffs of lashes and his fatherโ€™s cheekbones. Yet, he remains a soft piece of clay faintly molded into a pawn. A sacrifice.





















โ™กcoded by uxieโ™ก
 
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Death.







  • Auguste Cortes



    29



    Death



    Avancini



    June 30



    Male



    Spanish-French



    Gay




    height
    weight

    6'7''
    236 lbs


    blood type
    star sign

    AB+
    Cancer


    hair

    There is a quiet sort of rebellion to Death, despite his more mild personality. This can be seen in his hair. Long and dark, there is a white patch in it - from stress or from genetics he can't quite remember. He keeps it tied back every now and then with hair ties that he wears on his wrist. He used to not be able to grow it out, easier to grab when fighting back. But he's gotten good enough where little privileges have been "gifted" to him - or at least, he started growing it out and would stare down anybody that tried to tell him that he couldn't.

    eyes

    A mother's gift to her son, the same icy stare that could freeze a man solid with its glare. Nowadays, that particular gift is used seldom, just his mere presence tends to have people begging at his feet for mercy. Upon closer inspection, he has tired lines under them. And for the most part, they hold emotions that don't show up in the rest of his face - sadness, joy, pain...

    body type

    Massive and brawny, some of the more "out there" rumors about him is that he's part giant. This is obviously not true, but he stands at an intimidating 6'7 and amde of pure muscle. When he first joined, he used to be a lot more rabid looking - wiry and starving. Nowadays, he's filled his frame out into a bodybuilder's physique.

    body mods

    Not one for body modifications, it should be noted that he has two tattoos despite his reluctance towards modifying himself. One is on his left shoulder, the other is on his right bicep. The one on his left shoulder are his father's initials. The one on his right outer bicep is a gang tattoo that he wishes to remove one day. But that is something he keeps to himself.

    style

    Grunge and black and chains used to rule Death's days. It certainly came in handy when he was building his reputation, terror striking the hearts of mortals and all that nonsense. But nowadays, he's mostly mellowed out. Color has slowly seeped back into his life. Perhaps somewhat unnervingly, he's slowly become dressed more and more to blend into everyday civillians and less punk-grunge. Soft fabrics and nature tones mixed with combat boots and splashes of edge bleeding through here and there. He usually carries a backpack with him.

    face claim

    Timothy Hughes




/* ------ credit -- do not remove ------ */
ยฉ weldherwings.
 
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d. azalea washington
















# avancini




# the fool










โ™กcoded by uxieโ™ก



Full Name: Daphne Azalea Washington
Nickname: Everyone calls her Azalea (or Az, Azzy, etc.). Don't call her Daphne unless you want a nasty reaction.
Age: 24
Gender: Cis Woman
Sexuality: Heterosexual
Ethnicity: African-American
Family: Avancini
Role: The Fool

Faceclaim: Melinda Berry
Appearance: 5'7, black hair, dark brown eyes

Personality: Azalea's biggest strength is conversely her biggest weakness, making her a danger to others and to herself: she has an internal, ever-expanding mythology of herselfโ€”a mythology in which she is the heroine. In these myths, she justifies and rationalizes the means of her heroism, even when they include deeds that many would consider villainy. She sees herself as an agent of Nemesis, dutifully balancing the scales of fate by any means necessary: the author of her own fate and the fates of those who hand her the pen. This sort of self-romanticization isn't uncommon among everyday people, but in a woman as capable and calculating as Azalea it is dangerous.

Azalea has vision, drive, and a wealth of natural talent. She's constantly imagining new feats to accomplish and new ways to exercise her agencyโ€”to prove that she has it. To her, agency is the single most important thing in the world. She's confident in her ability to make her dreams reality, perhaps even overconfident.

Azalea is sharp. She is methodical but also no stranger to improvising. She can utilize pathos in a way that most people don't expect. Azalea's self-conceived myths require passion and emotion, and she's learned to bend them to her will. She is adept at affecting emotion, often tricking herself into truly feeling it on some level. She can utilize her charm if needed, playing the part of a girl worthy of endearment while also believing herself to be that girl. Azalea is also a great companion. When she forges bonds that she believes to be strong, she will be loyal, friendly, and even loving. Azalea has always had a lot of love to give but not many people to give it to, so she holds on tight. What is a heroine without allies, after all? Generally, Azalea is witty, warm, and expressive in conversation. She enjoys deep talks about life, art, and so on.

Her self-mythologization invigorates her and gives her a youthful allure. However, it also has its downfalls. Azalea's story of herself doesn't always account for her weaknesses or the barriers that she'll run into, making her naive and presumptuous. This especially becomes a problem when she invests emotionally in her presumptions. A shattering of these ideas can lead Azalea to erratic emotions or catastrophization. Azalea's natural tendencies to want agency and to confuse agency with utter control can cause her to aim too high or push dangerous boundaries. Her obsession with revenge and vindication can and has clouded her judgment, pushing her to abandon her morals or forget her limits. Azalea is adaptable, however, and will revise herself and her mythos as needed. She doesn't want to believe that she is a bad person. She needs to believe that she is correcting and purging something with what she does.

Deep down, Azalea is still in immense pain from wounds sustained in her past. She wants and needs to cry. But why would she cry when she could shape her own fate and tell her own story instead?


Virtues: Self-assured, endearing, imaginative, persistent, inquisitive, affectionate, observant, thoughtful, ambitious
Vices: Self-righteous, tragic hero complex, overconfident, control freak, vindictive, traumatized/unstable, more sensitive than she lets on, naive, dramatic
Likes: Poetry, flowers/botany/caring for plants, having money, stealing, being admired, emotionally vulnerable people, fine art, experimenting with poisonous substances, over-sweetened coffee
Dislikes: Not having agency, the general public, police, mental health stigma, batman, being doubted, the way coffee actually tastes

Background: (TW: drugs, mental illness, grooming)

Azalea, born Daphne Azalea Washington, was the daughter of lower-class parents living in the inner-city of Saint's Heights. Her father struggled to maintain a job due to his struggles with an undiagnosed and untreated mental illness. Her mother jumped between jobs, dabbling in the business of drugs, prostitution, and more under the nose of Azalea's father. Despite any efforts, psychiatric care that was affordable or accessible was never available, so Azalea grew up watching the father she loved dearly struggle and often be someone other than himself, never understanding quite what she was witnessing or why she was witnessing it. There were many things she didn't understand: why she went without food some days, why her mother was constantly out of the house, why she never got Christmas gifts. As she got older, she learned through media and her observations of the world that it was about inequality. This realization planted a seed of indignation.

When Azalea was eleven, her mother began attempting to medicate her father with the drugs she obtained through her business dealings. Azalea still doesn't know to this day if it was an act of love, providing her tortured father moments of reprieve, or an act of selfishness, sedating him to make him easier to deal with. Azalea watched as her mother gave him the drugs, lighting, injecting, pressing them to his lips, into his skin. She wondered: Is this what love looks like? When Azalea was thirteen, the cops raided her home. Azalea was too young to be in the loop of the legal specificities, but in the end Azalea's mother returned home and her father didn't. Her mother said: "Your daddy won't be coming back until you're about my age." Young Azalea's world was shattered. A rain of grief watered that seed of indignation.

It budded in her high school years in the form of theft. It started with makeup. Azalea began taking the bus to the Sephora in the affluent downtown. She got looks and was followed, but was successful regardless. She stole lip glosses, eyeliners, and more. For the first time in her life, Azalea felt like she had agency. All the small things she had been denied were now in reach. She began sneaking into the Barnes and Noble, slipping books of all kinds into her bag, and became an avid reader. She felt a particular connection to the so-called "confessional" poets: she admired the way they centered their pain, wrote themselves as tragic heroes, and had an almost oracular relationship with their own fate. She quickly became addicted to stealing and began selling her acquisitions for profit.

When Azalea was sixteen, she tried to pickpocket off of the wrong man on the street one night. He looked like any regular man, but little did Azalea know that she had snatched the wallet of the patriarch of a small (but powerful in its own right) crime family, the Lorenzos. His goons, whom she hadn't even seen lurking around him, had her pinned down in seconds. Mr. Lorenzo ordered her to be killed but called his men off after Azalea put up a fight, nearly biting off the finger of one of the goons. Intrigued, he offered her a place in the Lorenzo family. Azalea wasn't in a position to decline. At first, she was terrified, and she continued to be for the most part. But her seed of indignation bloomed into something poisonous when she saw the opportunities that being affiliated with Lorenzo opened up for her. She could have nearly anything she wanted. She had a million ways to get revenge on themโ€”the police, the politicians, the white-collars who turned a blind eye to the struggling innocentsโ€”to people like her father.

Thus, she embraced being a part of the Lorenzo crime family. When Mr. Lorenzo made advances on her and offered her the ambiguous title of "mistress," she embraced that too. She was only seventeen.

Mr. Lorenzo reminded Azalea of her father. Not in appearance, but he had strange habits and said strange things. He flinched if Azalea approached him too suddenly. He had erratic emotions and delusions. Azalea did what she knew to do: she enticed him to partake in the substances that his family dealt. She did it because she cared, but also knew in her own sad way that it would lead to his ruin. However, her loyalty to him and the Lorenzos only extended so far. She knew being a mistress limited her agency. She knew the Lorenzos didn't compare in power to the two most powerful families: the Avancinis and Adamskis. Lorenzo wasn't kind, anyway, prone to outbursts and violent episodes. After one particularly bad episode, she knew what to do. On Azalea's nineteenth birthday, after two years of her being his mistress, the Lorenzo patriarch died of something: a poison. It wasn't an overdose. The substance found in his bloodstream was unlike anything ever seen: custom-made from toxic herbs. It was personalโ€”poetic even.

Azalea walked away with a lot of money taken from the Lorenzo vaults. Her enthusiasm, however, was her downfall. Azalea bragged too much, trying to boost her reputation and raise her chances of joining a better crime family, and she was found out by the police. Azalea's list of offenses was long, but she had a way of telling the story in court. She gave a confessional rather than a testimony, lying and telling her truth at the same time. The judge and jury were captivated by her way of weaving herself into a tragic heroine. Azalea pleaded guilty only on a few of her charges and got only four years in prison, a feat that added to the buzz around her name in the crime world.

It was then that her seed of indignation bloomed into an azalea, poisonous and beautiful, and she officially took on her middle name. Azalea found herself in the good graces of the Avancini family after her release, joined their ranks, and is excited to prove herself. She also plans on pursuing her personal goal of grand revenge on the world in the meantime. Whatever that may look like, only time will tell.

Reputation: Azalea is still somewhat new in the bigger picture of the crime world. Although being Lorenzo's mistress and then killing him and stealing his money has generated some buzz around her name, she's still just getting started. What is said about her is that she's vindictive, ambitious, and good with poisons: a dangerous trinity. It is known that the Lorenzo family currently has it out for her for killing their patriarch.
Extra:
- her favorite color is green
- she is very well-read in the literary canon, especially as far as poetry goes
- her favorite mythical figure is electra
- titles her custom-made poisons after poems, pieces of art, characters, etc.
- hasn't seen or spoken to her mom since she was sixteen
- loves hugs, both platonic and romantic
 
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Baroque Adamski
































#adamski








#the lovers




















โ™กcoded by uxieโ™ก








baroque adamski
โ their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun. โž โ€• The Song of Achilles
nickname
barry, moonshine [reserved]
age
23
gender
cisgender male
sexuality
pansexual
ethnicity
Polish-American
family
adamski bloodline
role
the lovers

โ we reached for each other, and I thought of how many nights I had lain awake loving him in silence. โž​

Faceclaim: Tripp Bowers
Appearance: He stands at a taller height of six feet and three inches, length given to his limbs in an almost graceful manner. Each step is perfectly chosen and ended with carefully executed poise. Slender fingers adorn the tips of hands free from the callous of life, only a few miniscule scars resting in the middle of each palm: paper thin lines deliberately drawn and pressed over time.

Features present both father and mother, a firm jawline that flows into soft eyes, a swoop on his face full of umber hues. They are not telling of his emotions at most times, a slate that has been freshly wiped for the sake of appearances and upholding certain expectations. His hair is the color of bark, a myriad of browns with the artistic streak of blonde in his youth. Now it hangs freely, a length carefully cultivated and risked with each day to grow longer.

Unlike his siblings the muscle tone he carries is less noticeable, a thoroughly picky attitude aiding the youngest in having the luxury of not continuously training. Body built more in the form of a dancer he takes pride in his appearance more than in his ability to strangle an enemy in high heels. There is a lofty attitude surrounding the realm of fighting, a wrinkled nose at the mention of unnecessary bloodshed from the members of his family, a tight-lipped expression showing hints of the disdain he carries.

As of the past year or so it seems a detail to attention has raised itself, the empty piercings of his ears now filled with delicate studs and rings. His attire is flowing and proper, accentuations to his features all the strutting dance of a bird impressing a mate. His hair grows longer and his eyes sharper as he thinks about what could be and what the night could bring.

Clothing: x. x. x. x.
Aesthetic: Pinboard

Personality: Eyes slide shut and for a moment he is able to focus on his senses, ignoring the sounds of the city outside of the hotel. Baroque clings desperately to the feeling of difference, to the feeling that home has transcended the feud between families and that for a time he can breathe.

Only in these moments are the weaknesses of his heart revealed, a melting of ice by the flames of a forbidden affair. He cannot count the times he is told to relax and hesitates to do so, to let anybody in. There is an image to be upheld and in the presence of him he finds himself unable to lift a finger. It is easier to drink wine laced with poison than face the scorched surroundings, is it not?

One more sip is taken and he relaxes, the arguments and tension from the life outside the rented room fading away. It is a drug he cannot stop taking despite the fear that accompanies it, the danger that threatens it all. Baroque is nothing without the change that this situation provides him and fully conscious of that crutch.

When the youngest Adamski leaves the next morning he will fill the role he has come to be known for: a spoiled brat living lazily in a life of wealth. He will spend the money given to him and bother those that surround him, a stream of complaints on meager items that pile higher and higher with the days gone since his last 'fix'. It is all a show for him, all the role he must play to keep his head down and out from the line of fire, from the line of responsibility.

It is ultimately his addiction that brings his downfall; the need and lust for failure and equally his iron grip on 'perfection' are crushing all at once. Into flames the youngest wishes to burn and into dust he cares to bring the world around him down if only for the sake of having felt a real connection to someone else. Family feud mean so little to him now, an obstacle he will not stop trying to hurtle no matter the consequences. Perhaps it is foolish love or perhaps it is the key to his cage and he is tired of waiting.

Likes: the scent of burning wood, cassette tapes, cabernet sauvignon, the thrill of discovery, the idea of a picnic, his lover, lilac bushes on a spring morning
Dislikes: the need to spend money, holey socks, time restrictions, sleeping alone, overstimulating surroundings, meetings with the family, sharing time, the smell of mint
Fears: not knowing the future, uncertain relationships, getting everything he has ever truly wanted and having it all taken away as punishment for his gluttony.


Background:
A child born the youngest of an empire, a dove unfurled hopelessly into a pit of watchful vipers. Given a namesake meant to reflect a period of great ornamentation it was anticipated from youth that Baroque would grow into the beauty that everyone deemed he must be. Pampered at the softest tinkle of a bell he was coddled with every material comfort or kindness one could ever dream of having. Niceties however, grew dull for the man that found himself trapped within a gilded cage, the bars of gold providing only distance from those that looked and pointed at the decoration he was born to be.

They threw plastic cards at him and beckoned him out and into the designer shops of the city, a mountain of bags never touched lining the space of his room. He craved what he didn't know, the feeling of touch, the whispers of affection and praise that weren't confined to the numbers he racked up on a single shopping trip. Purpose was most of all what he wanted, a desperate reaching towards the heavens only proving to be a bittersweet reminder that the importance of the family fell on the shoulders of those higher in age.

Perhaps one could call it rebellion then, the starting of a miniature revolution as skipped training lessons and classes frequented the progress card of the youngest. Red X's and exorbitant expense reports were the only thing Baroque sought, a significant falling behind of his siblings giving way to the rumours that spread about his pompous ways and the unforgiving bite of attitude. Attention was what he sought but a deafening silence was all he ever seemed to receive. Understandable to some but enraging to him he spread his wings and sought out a further way of dragging the name of a gossamered time period through brimstone and fire.

As drink spilled and money flowed the youngest Adamski fell far from the grace of his namesake, a dirtied shirt and scuffed shoes more telling than the clean purity he had claimed for so long. It was an internal battle he fought, a mind over measure matter he brought upon himself that ached and pulled with each second. He hated the meaningless stares of the public but it was the eyes back home that he wanted to gouge. Loyalty ran as thin as the water of the womb, his covenant of blood growing outside of the organization as the dove spread his wings and his influence through what he found important. A lamb on a rampage he was as self-destructive as he was beautiful, a charming fellow so easily caught up in the dichotomous puzzle of his surroundings.

โ we were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other. โž​

His falling towards the flirtatious motions towards others had been ongoing since his first breath into adulthood. So often he would cast out the shiny hook of himself and so often negatively appraise those that took the bait. It was an endless cycle that he found himself sucked into, a game without a winner, a constant moving around the board. He waited with baited breath for the moment when he could finally decide, the bar subconsciously rising higher and higher until the ceiling crashed down on his head and the first time happened.

A mistake? No, those sort of things don't happen to someone like me.

It was a moment that changed everything, a coincidence put in motion by the knowing hands of the Fates as their eyes met. A coincidence that occurred over and over until the thought of not having another was too much to handle. The kicked feet and the hugged pillows were all the signs that he hid from the rest, a grin buried deep within feathers as he preened and shined for a reason in his life. Their meeting was a fate ordained by the gods and one he would not allow to slip through cold fingers. A purpose had entered his life, eyes that saw beyond the designer clothes and haughty outward smile. It was a touch that made him dance in the rain and snort in his laugh it was everything.

After all this time, perhaps maybe I'm starting to ...

Ah, nevermind.


The fuse has been lit and the trail to the pool of gasoline is only so long. An Adamski in name and blood he rushes forward unknowing towards the fantastical end, the wild look in his eyes covered in the rose-tinted glasses of love.

It's only a matter of time before the world sees just how brightly Baroque can burn.

Reputation:
He's used to the feeling of eyes, a collection of colors that trail every step with an outward indifference. The youngest of the family he was almost thrust into the lap of luxury over the lap of his father, the spoon that adorned his mouth sparkling as he set foot into the world. Helplessly resistant at first he has fallen to the sin of opulence, the treasures of the Adamski family readily available to the 'pampered' youth as wings are spread lazily over feather-filled cushions.

He is known for the numerous demands to his rooms and the endless expenses charged to every rectangle of plastic he is allowed to breathe near. The riches of the world adorn his body and mind and all of it is foolishly unnecessary to those around him. โ€ŠHe is foolishly unnecessary if some were allowed the privilege of not biting their tongues in his presence.

For the past year there have been some who have noticed, fewer who have whispered about the whereabouts of the dove. On certain nights he disappears, body dissolved into smoke until he strolls in the next day or so later, a scarf wrapped warmly around his neck. What does he do with all of these nights away?

Languid are his motions all the same, a smooth dance across the floor as he asks and receives for another day, another year. What a spoiled child.

The Lovers: What was once a desperate attempt to breathe has become the air that fills his body, the oxygen in his veins.

They spend nights entwined, the tenting of fingers against one another barely breaching the surface of the desperate need to occupy the space and lungs of the other. With so few opportunities safely presented each moment must be given a careful consideration, the right amount of 'too much' and achingly always too little. Doomed from the start they follow behind in the likes of Achilles and Patroclus, Heloise and Abelard. He drinks ravenously from the cup of his lover, from the overflowing wine of their love.

Their flame burns more fervently with each meeting, a crisping of the edges that threatens to push gas onto their love, a lingering of death always hovering. Baroque dances with them, a step closer each time towards what he fears is the inevitable end, the damning force that will drive them apart.

He is a reckless star, a hurtling ball of fire invigorated with each new meeting, each new touch. The world will burn around him before he gives an inch of the pleasure he has found, foes and family caught in flames.

It is coming, it is inevitable.

But oh, such is love.
/* ------ credit -- do not remove ------ */
ยฉ weldherwings.
 
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Evangeline Huang
















#adamski




#the magician










โ™กcoded by uxieโ™ก






  • EVANGELINE HUANG
    full name
    evangeline karina huang

    nickname
    no one calls her karina except her dad. ev or abbreviations of her first name are for very close friends only.

    role
    the magician โœง*:๏ฝฅ๏พŸ

    gender
    cis-female

    age
    27

    ethnicity
    chinese-polish

    sexuality
    pansexual heteroromantic

    family
    adamski
    VISAGE
    height
    5'7

    weight
    109lbs

    build
    lean and limber but not toned. she isn't a very physical person.

    hair
    thick, supple, and umber brown with natural but subtle waves

    eyes
    black & doe eyed

    mods
    the basic earlobe piercings

    scars
    none

    style
    it varies depending on the situation or task, but in a effort to be taken more seriously, she prefers more mature outfits that are very clearly inspired by business casual and formal aesthetics on normal days.

    fc
    angelababy
ไบบ
ๆญป
็•™
ๅ







coded by reveriee.
 
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Harris Fรฉlicette




























# adamski







# the hermit


















โ™กcoded by uxieโ™ก









Full Name: Harris Avancini-Fรฉlicette

Nickname: Dirty Harry, Harry, Judas Boy

Age: 24

Gender: Cis Man

Sexuality: Bisexual

Ethnicity: French-Canadian, Polish

Family: Adamski

Role: The Hermit


Faceclaim: Damon Albarn

Appearance:

Harris has a lanky stature, standing at a perfectly average height of 5โ€™10โ€. He bears the appetite of a tiger and the metabolism of a hummingbird, and his lean silhouette harbors a meager amount of muscle as a result. His dirty blonde hair is often messy, and never falls quite the same way. A pair of downturned baby-blue eyes bear lines of worry and weariness, yet are intense in their gaze and seem to pierce right through you. His skin is fair, and his hands riddled with callouses from their time spent painting and being the subject of anxious fidgeting.
Fashion: x x x


Personality:

He feels as if heโ€™s always running; a white rabbit bounding aimlessly, erratically through the reeds and rushes, never even knowing what it is that stalks him through the tall grass. Those who meet him donโ€™t know what to think of him; heโ€™s soft-spoken, almost meek, yet carries himself with a strange, quiet self-assurance. Introspective, but not wise. Offbeat and quirky, yet endearing. When he isnโ€™t a criminal, heโ€™s an artist, drawn inexplicably from childhood to the abstract and colorful through oil on canvas. He spends a large amount of time reflecting and using his deep anger and frustration as a springboard for creative musings: canvas upon giant canvas of what looks to the untrained eye like unorganized, erratic amalgamations of color and grotesque shape. Rumors say heโ€™s not to be trusted, and thereโ€™s not much proof out there to defend his honor. The way his eyes flit about during a conversation to avoid contact, which to him feels simultaneously invasive and vulnerable, makes him seem disingenuous- like a man with secrets to keep. At his core, Harris is deeply misunderstood, and doesnโ€™t do much in the way of fixing that. Heโ€™s withdrawn, aloof, emotionally volatile, and horribly inept at conversation. Yet, underneath his exterior of paradox and mystery, he is a sensitive aesthete that is remarkably passionate and genuine towards those he takes a liking to.


Background:

Born to two Avancini captains, Antoni Avancini and Benoรฎte Fรฉlicette, Harris was used to being a part of the criminal life. He knew little else. From birth his parents paid him little attention, often hiring nannies to do the job for them while they focused most of their efforts on the syndicate. He accepted this as a fact of life in his youth: that his parents were simply too busy to love him.

The older he grew the more embittered he became, wondering why his parents even decided to have a child to begin with. Regardless, he grew surprisingly self-sufficient and independent very early on, estranged from his parents yet carrying out odd jobs at the familyโ€™s beck and call. The couple would engage in anything from gambling, loan sharking, drug-trafficking, and violent murder, though Harris himself was more suited to meticulous crime-scene cleanup. This was his main job, though he was also known to use his steady hand as a sniper, or just forge an occasional signature.

He was used to this life until his parents pulled the most unforeseeable stunt he had ever witnessed from them; a violent coup. In all his years of cleaning up after them, he had never seen so much blood and gore. So many thoughts flooded his head. How could they do this? WHY did they do this? How could they not warn him? At the end of the day, however, none of it mattered. In typical fashion, Harris was saddled with the consequences of his parentโ€™s actions and banished from the only life he knew. He felt that maybe, somehow, joining the enemy would be the ultimate and final โ€œfuck youโ€ to his parents, and was welcomed by the Adamski family. He still hasnโ€™t quite settled into his position as an Adamski, and canโ€™t shake the feeling that he doesnโ€™t truly belong anywhere anymore- a subtle but persistent monachopsis.

Reputation: Harrisโ€™ reputation is made up of mismatched whispers and inconsistent alibis. He is the black sheep wherever he is herded, and carries an aura of mutiny with him because of his parentโ€™s actions. Some are sympathetic, most are wary, for who knows when he could turn heel like his old man? However, little else is truly known about him other than his eccentricities.


Extra:
  • His zodiac sun sign is Pisces
  • His favorite color is yellow
  • His hands often carry traces of paint and charcoal
  • He is perpetually tired and known for his frequent 4-hour naps
  • He loves green apple four loko and the band Weezer
  • Playlist

 
Last edited:













  • MONET



    the high priestess














    Woo



    by Rihanna.

































    name


    monet 'alexandria' carter






    nicknames


    momo, money (jokingly)






    gender


    nonbinary (she / her / they / them)






    orientation.


    bisexual






    age


    twenty-seven (april 19th)



    ethnicity.


    black, white, filipino, and indigenous (blackfoot & cherokee)



    role.


    the high priestess



    family.


    avancini





































































nine lives

 
Last edited:





/*top banner*/
I shall die, but that is all that I shall do for Death. I hear him leading his horse out of the stall; I hear the clatter on the barn-floor.


/*left middle*/
Tomasz Adamski


/*right middle*/


26


Cis Male


8th July


St.'s Heights


/*left bottom*/
Moonshine



/*middle bottom*/



home

inside

life








  • Sexuality: Heterosexual
    Ethnicity: Polish-American
    Family: Adamski
    Role: The Moon
    Faceclaim: Zane Holtz
    Reputation: The prodigal son, with deep pockets and deeper insecurities. Everyone knows Tomasz as the middle child of the 'pater familias', but they assume that he and the old man don't see eye to eye on most things. This owing to him being absent from Saint's Heights for the better part of the last four years. From what everyone remembers, Tomasz had been a bit of a disappointment. Hot-headed was perhaps an understatement; the kid had a violent streak that disturbed even the most hardened capo in the family. Of course, these fights he'd pick were never really fair. How could they be? When you've got two burly men with poorly concealed firearms on standby as you beat a man within an inch of his life with a bar stool. Perhaps the years away have been good for Tomasz. He's back in the Heights with a woman he says he'll marry. Not the first time this has happened, but this one seems different from all the WASPish preppy college students he'd been bringing to the dinner table before, to the ire of his father. No, this one seems far too cunning for her own good, perched like a raven on his shoulders, tempting and tempering his rage. But to what end?


    Caveat emptor.

    See no evil.

    Appearance: Tomasz is of average height, well-built and not too bad on the eyes. He has jet-black hair packed tightly together like a yuppie from the 80s. He can usually be seen sporting the uninspired combination of a sharp suit and tie, which while being bespoke, still looked a bit uncomfortable on him. To accessorise, he wears gold cufflinks and prescription glasses, except when he rarely decides to switch them out in favour of contacts.




/*right bottom*/



/*DO NOT REMOVE CREDIT*/

ยฉ weldherwings.
 
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Aimed to Kill



artist












strength















R

equisite.










name


Carmensita Da Costa Rocha







a.k.a.


Carmen







age


Twenty-six







gender


Cis-woman







Sexuality


Lesbian/homosexual







Ethnicity


Brazilian







Family


Avancini







Role


Strength













p

syche.





Itโ€™s easy to be spontaneous when you have the means.

With a constant overflow of time and money, Carmen is an investor in last-minute plans and a kick-starter of ridiculous business endeavors. Burning hot and fast, she involves herself with the pipe dreams of others, sticking around long enough to see them crash in a blaze before moving to the nextโ€”a bad omen; those who see Carmen circling should count their blessings and scram...unless they can afford to lose. "So she's an irresponsible child. Does she care about anything?" Well...some things. Her risks are calculated, and her close circle is vetted; one thing Carmen can't afford is to lose her footing and slip up, to expose herself to the vultures that eye her fortune and birthright would be a humiliation. So she remains private, her social media limited to a point where she is almost un-contactable. She'll reach out to you if she needs something. "So...she only cares for herself?" Not exactly. Having been born into riches, Carmen is no stranger to the greed of man. A pitiful friend of deceit, she knows the feeling of betrayal all too wellโ€”that sinking feeling in the pit of your stomach when you realize you've been used, and that the person who's been holding you so tightly is just imagining what they can squeeze out of you. So she does not love as she used to; whenever a heart broke, it had always been hers. "Okay, so she's both selfish and insecure?" Right, but she doesn't show it. Living in the fast lane, getting around, throwing outrageously lavish parties, and sticking her nose in other people's business are her favorite distractions. A thorn in the side of most, Carmen fronts a cool outer shell, a snide demeanor, and manners that would have anyone's grandmother rolling in their grave. One might suspect her greatest ambition is the downfall of others...so if Carmen sees you tripping, you might just get that extra shove you need to fall on your face.



Aspects


Personable, charismatic, flirtatious, self-assured, extroverted, snarky, roguish, playful, private, free-spirited, athletic, undisciplined, nosy, vexing.












h

istory





With ties as delicate as glass, the Rocha family is a fractured mirror; Carmenโ€™s fingers dripping with blood as she tries to piece them together--the feigned appearance of something unbroken. A menage of wickedness and secrets that Carmen will take to her grave, her fatherโ€™s bond with the Avanciniโ€™s is all that keeps her breathing. The only daughter of Gabriel and Chiara Rocha, Carmen was bequeathed her family's wealth, as well as the full weight of their expectations. As a child she was ignorant of her future, her parents waving a shiny new toy before her to distract her from their ever-growing absence. Raised by a rotating door of nannies, Carmen had more mother figures than she can count on her fingersโ€ฆshe would never forget her favorite though, no. Her fatherโ€™s mistress, french heiress, Lea Dupont. Her fatherโ€™s relationship with Lea was no secret amongst the wealthy elite of Saintโ€™s Heights, with the heiress casually professing Gabrielโ€™s intent to remarry to anyone within earshot. However, Leaโ€™s wishes could never come to fruition, with Carmen discovering the mistressโ€™ lifeless body one evening--sprawled over the chaise lounge, eyes staring at the ceiling as the chandelier burnt a bright light overhead. Unblinking. Carmen was twelve. She had loved Lea more than her own mother and needed to know the truth, but there was no autopsy.
.
Carmenโ€™s juvenile years were a torrent of false promises, snuffed hopes, and poisonous gossip. She was gifted nothing but time--her parents found her burdensome and paid for every extracurricular activity they could to keep Carmen preoccupied; a hug from their daughter would be next to repulsive. Still, she cared for them. She would keep the attention of her father, tongue bit hard, mouth tasting of iron as she distracted him from catching her motherโ€™s newest suitor--again, and again. She kept his secrets too; wandering through the door drunk, breath sterile, and missing whatever expensive watch heโ€™d gambled, Carmen would help her father up the stairs to his room, and heโ€™d buy her silence with a new tennis bracelet or diamond earrings. The Rochaโ€™s domestic issues were a stain on Carmenโ€™s painting. She tried to hide the marks, but the families of Saintโ€™s Heights could be vicious. Rumors circulated in her school; the Rochaโ€™s were new money with a habit for spending--embracing all of lifeโ€™s fruits, but perhaps the familyโ€™s carpe diem tendencies were a weak spot, and even baby sharks could be scrappy. Judging eyes lingered on her as she walked the halls, and Carmen was quiet--she was kind, a doormat, and easy pickings for most. So she got mean, reminding herself that despite being a Rocha, she was also an Avancini--and complacency was embarrassing.
.
Carmenโ€™s second brush with death was during her eighteenth birthday party. An invite to one of her soirees was typically a rare find, but she wanted to get messy. A swarm of underage, intoxicated teenagers on a yacht in the middle of the ocean, bodies pressed tightly together, the scent of body spray, beer, and saltwater mingling as a plethora of bad decisions are made. It was a rogue gun from nowhere, and a bullet, fast enough to sink itself into Carmenโ€™s ex-fiance, Paolo Ricci, that kissed whatever good memory she had of the night goodbye. She returned home in the morning wrapped tightly in a towel, with scratches on her knees, salt in her hair, and two parents disappointed that she could no longer be married off...burdensome. The rumors that plagued Carmen after that night were rich with fantastical speculations: a familial dispute, a jilted lover, a good old-fashioned accident--it appeared nothing was out of the question...but Carmen never lingered on it, perhaps it were that evening that sparked her devil-may-care outlook, her desire for the fleeting and short-lived. She refused to be weighed down. Life was evanescent, and Carmen could do whatever she wanted with it.
.
Brushed off by her own flesh-and-blood, Carmen is fortunate that the Rocha's ties to the Avancini's run deep. Raised with the family, she has no qualm with showing up out of the blue and sticking her foot in issues that likely don't concern her. You'll hear her laugh before you see her--sitting in the corner of the room, looking for something to do or someone to jab at...occasionally she'll carry a walking stick, so don't be surprised if one receives a literal jab. A magnet to the rambling and self-absorbed, Carmen has filled her life with other people's problems...it amuses her. A pick-up artist wrapped in a neat little bow and an outrageously expensive suit, she spends the evening listening to another's woes, provides some horrid advice, and vanishes in the morning: a recipe that has kept her from spending time considering legitimate career goals. Though, as the years roll by and Gabriel Rocha's health takes a steep decline, life's held a mirror to Carmen that she refuses to look at--her family needs someone to keep them afloat, and she knows it has to be her.









R

eputation





A lover of life's finer things, Carmen has an affinity for designer clothing, expensive sports cars, and pretty women. The wild and roguish cousin-adjacent member of the Avancini family, she has made it very clear she cares very little about some and doesn't give a damn about most. Or at least, that's her front. The embodiment of a storm with no destination, she's known for kicking up some dust; pulling some strings to see what she can unravel, before moving on to the next. Words like "reckless" "spoilt" and "wicked" come with the name Carmensita Da Costa Rocha--though no one dare say it to the trust-fund baby's face. The eager eyes of Saint's Heights see her as an idle glass case stuffed with cash. It brings Carmen great pleasure to see others frothing at the mouth, their skin itching as she sits alone atop her family's wealth and legacy. Everyone wants a bite...but that puts Carmen in a sticky situation.
.
She keeps her online interactions minimal and only converses with her tightest circle over social media. Unless you have Carmen's phone number, don't even bother--she can be somewhat of a cryptid in that respect. In her tagged photos, Carmen has been spotted on her boat, on the tennis court, at the gym, or walking her two greyhounds, Griffon and Little-foot through the Heights. Occasionally a snap of her entangled with her latest fling has found its way online, but they're always taken down faster than you can say sleaze. She has no issue with spilling the drama of others, but god forbid you choose to expose her business.
.
And of course, she isn't free from the clawed grasp of Saint's Heights' rumor mill. An illegitimate daughter some say--she looks everything like her mother, and barely like her father...and if the Rocha's history with infidelity could speak, many wonder what it would say. Bastard some speculate, but many chalk that up to sheer jealousy--and at least that does not carry the same weight as killer. Her ex-fiance's murder. Carmen cackles at the thought. Eight years have passed and some still gossip about Paolo and Carmen's doomed marriage: a woman who has shown no interest in men, and a man known for his boorish behavior...but murder? She can't help but roll her eyes--though her unwillingness to discuss the events of that night hasn't done much to clear her name.









O

ther





Playlist โ™ช
Don't Blame Me -- Taylor Swift
Perfect Places -- Lorde
Make Up Your Mind -- Florence + The Machine
People Watching -- Conan Gray
American Money -- Bร˜RNS
--
Languages
Portuguese, Spanish, English [Fluent]
French, Italian [Conversational]
--
Faceclaim โฃ
Marina Moschen









g

allery.
































โ™กcoded by uxieโ™ก
 
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scroll





โ
Darling, you've been my greatest defeat.





















high priestess



hugo.







full name

hugo young.






nicknames

n/a.






age

thirty.






d.o.b.

january 4th.






family

avancini.






ethnicity

german/korean.






sexuality

bisexual.

































chewing cotton wool


cavetown




















01.



visage

















height

five-foot-eleven.






weight

160 lbs.






body type

thicc






hair c.

coarse black.






eye c.

dark brown.






attire style

x x x x






faceclaim

lee jong-won.























02.



psyche









Meticulous. Polite. Calm. Hugo's the quiet presence in the room that no one can forget about, even if he's nowhere near the center of attention. Some people blame it on the fact that he's Emilio's right hand man. Others say it's because he's always listening, and he never lets you forget it. Either way, you'd better watch what you say around him, becuase Hugo never forgets.

Hugo's focus is unmatched. Some might call it having a one-track mind; Hugo calls it having priorities. He's the kind of person that will write up a physical list of what needs done, and whatever is not on the list is something he refuses to consider. While he doesn't strive to be the kind of person that everyone likes, he's aware and sensitive to what others say about him. As a rule, however, he believes that others can lick their wounds, just as he's done, and as long as they do what they're supposed to do, he doesn't care how they end up.

Strong-willed, Hugo has an analytical mind, one that doesn't usually have trouble reading people like books. His tactics are ruthless and efficient, attaining their goal with as little recoil as possible. So long as it's done to serve the Avancini family, Hugo doesn't have much of a conscience when it comes to the work he has to doโ€”violence is a second language that he's fluent in, something that doesn't bother him anymore. He deals it out in kind and is no stranger to seeking vengeance, especially toward those who have hurt his own. His need to protect those under his watch is fierce, something of a pack instinct.

Those who chose to talk back to Hugo will be met with little more than a dead glare. Very rarely does he raise his voice, but when he does, you can be sure it will be heard throughout the city. Regardless, the scariest part about Hugo isn't his low moral standard or the stories that circulate about the jobs he's completedโ€”it's the way he simply doesn't react.

But that doesnโ€™t mean heโ€™s without feelings. On the contrary, Hugo feels everything all the time. Heโ€™s a passionate man that sometimes isnโ€™t quite sure how to express himself, because the last time he allowed his feelings to govern him, someone close to him died. When he tries to be genuine, it usually comes off as awkward, so he simply chooses not to let others read him.

Since his brother's death, something about Hugo has changed. It's subtle, visible only in the shadow trailing along the walls behind him, like a dark cloud threatening rain. It's the first secret he's actively tried to keep from Emilio, and it's something he's convinced he can overcome by himselfโ€”loneliness. For the first time in his life, Hugo feels truly alone, and deep within him is a craving to find someone who can provide him with the security he so desperately needs.

He's the side character in a tragedy, left to linger and mourn. The emptiness within him grows a little stronger every day.






likes

hot tea; chewing ice; making food at 3am; new pens; soft 80's rock; menthol cigarettes; grape-flavored anything






dislikes

cold metal; condensation on his glass of ice water; glasses, but he hates contacts more; furry animals; refuses to eat peanut butter






fears

being stuck in a situation where he can watch but not act


















03.



history









"It's not a childhood to waste time remembering."

Hugo dismisses his youth as white noise. Raised by a single father and a bitch of a stepmotherโ€”turns out they really are evilโ€”the good things of life seemed destined for other people. It was just him and his younger brother Jakob against the world. Neither of them realized it, but having each other was the greatest gift they could have had; their bond was forged in steel, an unbreakable chain that pulled them out of poverty and want and into a bigger, wilder world.

"There's more out there, Jakob, more than this! All we have to do is reach for it."

Pushed by ambitions that outnumbered their bad memories, Hugo and Jakob left home, armed with a stack of bills and a loaded pistol stolen from their father's safe. For the first time they could see past the trash can on the curb, see that there really was more waiting for them. As the older brother, Hugo was fiercely protective of Jakob; in return, Jakob saw in his brother the man that he wanted to become: strong, caring, and willing to do whatever it took.

Things changed when he met Emilio Ahn. He found himself drawn in by the manโ€™s wild confidence, but still distrusting of him, kept him from Jakob. There was something about him he couldnโ€™t explain, but something he couldnโ€™t forget, either.

Perhaps that was why they were drawn to Avancini familyโ€”it was a wild, dynamic place but it felt right. Joined in heart and mind, Hugo and Jakob became a fearsome duo, something of a brute force. They had an unspoken language between them and a fire in their souls that burned bright.

"I trust Jakob with my life. He'll be fine."

But just because life was better didn't mean it was perfect. Jakob started drinking and Hugo didn't think anything of it. He drank more and Hugo started watching him. He'd come home vomiting on the front steps and Hugo finally realized his brother had fallen into a hole he couldn't pull him out of. If he tried to talk to him about it, Jakob would push him away, and because he was desperate to keep his brother at his side, Hugo decided to pretend it wasn't happening. Was it because of something he'd done? The more that Hugo turned to Emilio for direction, the worse Jakob seemed to get until one night he didn't come home.

A day passed.

Two days passed. Three days and Jakob's body was found stuffed in a dumpster in a crooked alleyway, his neck lacerated from the glass shards of an empty bottle. No evidence from the killer and no answers. There were three people at his funeral.

"I'm fine."

This happened a year ago. If Hugo had been on his own, perhaps he would have followed Jakob down the same path. Even now, he'll find himself slipping down the slippery neck of a bottle during particularly lonely nights. But Emilio is his anchor, and the man bears more sway over him than he knows or cares to admit. Hugo lives, and he fights, for now.


















04.



gallery


































05.



connections

















character name



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kiko na chiangmai



She's a book in a language he never learned. Her unpredictability unsettles him, even used to frustrate him, but a few years have mellowed him out, and now he's content to let her do her thing, so long as it doesn't come into conflict with him. Emilio's the mutual friend, so when he's gone, it's all small talk and nothing real. Hugo isn't sure he likes that Emilio and Kiko are still as close as they are after everything that happened between them; there's certainly nothing wrong but he can't put his finger on what's bothering him so much.
That being said, Kiko knows her shit and it's something about her that Hugo is learning how to trust.

















hero edmund bechtel



As the holder of secrets, Hugo knows who Hero is, and he doesn't like it. He feels like he's watching a lit fuse, even though Hero hasn't done anything has proved his alliances lay with the Adamski.
Yet.
Hugo will continue to circle him until he discovers the truthโ€”with or without Hero's cooperation.

















character name



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06.



miscellaneous

















reputation

"i heard he went on a rampage, looking for the person who killed him. couldn't find anything about them."

"stay out of his wayโ€”i've seen him walk into the torture chamber with a smile on his face."

"he lives alone but he sure does go out a lot to drink."

"sometimes he looks like he isn't paying attention but then he'll saying something about you that you didn't remember telling him."

"he fights dirty. i've never been able to pin down one particular fighting style with himโ€”it's like he's the mongrel of hand-to-hand combat."






combat/weapons

Some people have those fancy one-on-one combat skills, but Hugo never had the opportunity to train like that. He was raised on the streets and learned to fight like a cornered dogโ€”wild and unpredictable. His instincts are honed like a double-edged blade, not only keeping himself in motion but analyzing his opponent's style and weaknesses. The longer he fights with someone, the more he can take advantage of them.

Hugo's the one that will bring a handgun to a fistfight. He's more comfortable with a trigger to pull, whether that be his father's small handgun that he still possesses or the a assault rifle that does wonders for getting a point across to even the most stubborn of adversaries. Years of practice have hammered good aim into the palms of his hands; he focuses with deadly precision, not the slightest tremble through his fingers, and prefers to waste as few bullets as possible. The pads of his fingers are worn smooth with the bad habit in his youth of handling hot weaponry.






extra

- english is his first and only language
- horrible handwriting
- moderate piano skills
- very bad posture (slouches in every chair)
- has gone through five pairs of glasses in two years because he throws them a lot
- used to play cod with his brother
- has never tried sushi
- wears a lot of rings bc he thinks it looks sexy
- do not ask why he hates peanut butter




















โ™กcoded by uxieโ™ก
 
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Arenโ€™t We All Sinners?
















#Jin Ahn #The Devil







CD9822C3-066F-4AE7-A633-06F27FABD6BF.jpeg


Full Name: Ahn Jin-Hae
Nickname: Jin
Age: 30
Gender: Cis.male
Sexuality: Pansexual Panromantic
Ethnicity: East Asian // Korean
Family: The Avacini
Role: The Devil

Faceclaim: Lee Soo-hyuk
Height: 6โ€2
Weight: 181 lbs

Personality: HIS NAME often follows a warning, tumbling from soft lips and onto cold concrete, a piercing whisper as it cascades, hushed, afraid. โ€œDonโ€™t look into his eyesโ€ they say โ€œItโ€™s how he gets you.โ€ A quiet moment of remorse. And then, holding out their ruptured hearts, they whisper,โ€œThatโ€™s how he got me.โ€

He was never thought to be anything serious โ€” class clown, sex god, party host, a man known for fun and fun alone, the words Jin Ahn are synonymous with the Devil himself, as if meshed and moulded together until finally they became one. And perhaps that is why he wears the face of Lucifer so well, for he is his productโ€” coquettish, alluring, a sort of charm youโ€™d only succumb to in messy bathrooms or bedrooms, away from the party and a frenzy in the arms of a handsome stranger. A stranger who will leave you just as fast as he first said hello. Youโ€™ll wake up the next morning and so will he, but be warned: there will be no good mornings, no goodbye kisses, not even a word. Only a once-over and an exit. No strings attached, just as it always is.
And isnโ€™t he an expert at that? Escaping?

But there are times where he wishes he could be different. Moments where, he feels as if he is the only man left on Earth, alone on the floor, discarded, a life wasted in a body that withers with with each passing breath. He wishes that he wasnโ€™t bad, didnโ€™t do the bad things that came so natural to him โ€” a vice walking, he remembers someone calling him that once, shaking their head as if his existence was a burden and nothing more. And it is, he knows this, thatโ€™s why youโ€™ll find at the end of every bottle, every line or embrace, whatever it takes to make him forget that he is him. The devil.

Background: A lonely night. A broken promise. That is how Jin-hae was born, with his father in the embrace of another, his motherโ€” his true mother a memory of which he could never bear. He wonders now if she wouldโ€™ve liked him, loved him more than the bitter gaze that he so often met, more than the sorry eyes of his father, which were only miserable for himself. He wonders now if he would have had the chance- if any -to learn how to love and to be loved. But he was taught nothing, he knows nothing.
They say that childhood is this: you suffer, you hate, you forget. You forget what it was that hurt you but never forget how it felt. And you continue to hate, to suffer without the infliction, dry wounds cracking open at the odd hours of the night. A boy born with everything at the cost of bearing nothing more, his name was Jin-hae

Oh, how his life was ruined before he could even begin to live it.

Reputation: A man who, like fireworks is a vision from afar but a great danger up close; A modern-day Gatsby, his parties just as big as his pining, always adorned with a pair of sunglasses, a little baggy of yknow and a jumble of other things in his pocket. Thereโ€™s very many reasons why people seem to both love and hate him, but oh well, theyโ€™ll come around eventually.

Aesthetic: low lights, loud music, the taste of alcohol, dancing bodies, sweat, the echos of music seeping into the bathroom, splashes of cold water to the face, dirty sinks and cluttered mess, clothes cast astrewn, the emptiness that comes afterward, cigarettes, balconies, laughter, memories, cigarette smoke, morning fog, silent tears, kitchen floors, complete and utter helplessness, memories.






 
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โ
Golden child,
Lion boy;
Tell me what it's like to conquer.





oh darling, even rome fell
















the hierophant



Marzanna







Full Name

Marzanna Antonia Adamski






nicknames

Marzi, Toni






gender and pronouns

Female, she/her






age

27






family

Adamski






role

The Hierophant






ethnicity

Polish






sexuality

Bisexual

























01.



visage

















faceclaim

Willa Fitzgerald






appearance

Framing an oval face, Marzanna's waist long blonde hair is rarely seen styled other than in a neat ponytail, kept back in a practical manner. With a strong jaw and a prominent nose, she has a distinctive look about her, which is only enhanced by the intense blue of her eyes. Marzanna stands at about 5'8, although it isn't uncommon to find her wearing small heels only adding to that. She's not a large woman, but her sleeves and outfit choices often hide a modestly muscular physique, earned from a mix of hobbies, exercise, and basic martial arts training---with her position, preparation for a number of situations seemed almost a necessity.






attire

Even with a closet of designer, custom made apparel crafted to any of her whims, Marzanna often seems to be stuck in a traditional style of dress. Although she pays attention to the practicality of her outfits, and prefers pants to skirts, she's often distinctly feminine and some would say old fashioned in her outfit choices, often with a clearly expensive blouse and simple jewelry choice. She tends towards the side of formality, always making sure to look presentable, even on private or casual occasions.























02.



psyche









In a game of nature or nurture, Marzanna's nurture was a manacle of expectation. In all outward appearances, it would seem to have won, too. She's always been wound a little tightly, always on high alert and trained to be prepared for anything, her muscles never fully relaxed. She's reserved, keeping a faรงade of calm about her, never raising her temper in favor of icy silence. But how long can even the most ruthless keep up playing against the barest expression of emotion, squeezing into a rigid box?

It's no secret that many are curious about her, that was to be the case from her birth, but the curiosity is only enhanced by how little sincerity she shows the world. Her words calculated and precise, she's always playing a game, her persona the character kept up against a world that has its breath caught waiting for her to take the wrong move. For now, however, it seems she's got the rules figured out, and it reflects in the way she interacts with those around her. Marzanna's polite, social, exceptionally mannered, but has never been known to show a shred of kindness.

Marzanna keeps herself busy, slamming into studying and hobbies and the needs of her family, not a single step out of line of being their perfect heir. Intelligent, charming, unflinching, everything that could be taught to her. Marzannaโ€™s driving force has always been her family; a desire to impress them, to fulfill that expectation as if it's the only thing she knew. As, in a way, it was. She couldn't have had the time to question how this life suited her, or whether there even was a her outside of the heir of the Adamski.

Although, the hints of tiredness creeping into her eyes is no less from that busy life than from wishful nights staring out the window, searching for what more the world might have to offer. Many wonder if she's capable of being a good leader someday, whether her ambition digs deep enough for it, or whether she's just excellent at pretending to be.


















03.



history









Lorem ipsum dolor sit amet, consectetur adipiscing elit. In accumsan odio justo, sit amet pellentesque velit vulputate at. Phasellus non rhoncus leo. Nullam consectetur, libero nec luctus ultrices, leo risus posuere nulla, a pharetra nulla quam quis ligula. Cras eros tellus, mollis non massa a, lacinia pretium felis. Integer et lectus eget est pellentesque consectetur in et nulla. Fusce elit erat, facilisis et augue sit amet, fringilla aliquet neque. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean ac leo ornare, dignissim libero ac, ullamcorper mauris. Aenean congue venenatis lacinia.


















04.



gallery


































05.



connections

















character name



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character name



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character name



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character name



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06.



miscellaneous

















Extra

As heir and deputy, Marzanna has basic training in various forms of combat, firing a gun, and has practice commanding and overseeing branches of the Adamski. Most of what she knows comes from her education and family. However, she's yet to show hesitation to cause harm if asked. Beyond the skills directly related to the Adamski's line of work, Marzanna's hobbies included horseback riding and playing piano. She speaks English, Polish, and Spanish, having learned the latter through her schooling.






Reputation

Marzanna is, to no surprise, known and watched around the city. Keeping herself from being directly under the public eye, she's managed to keep up the impression of being a perfect poster child, just what's expected of her. Well, almost. When she was around 17, she wasn't seen or heard from for an entire year. The family keeps it under wraps, as though nothing had been amiss, but there's no stopping rumors or what they might be covering up.




















โ™กcoded by uxieโ™ก
 
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V.
the lovers
scroll.















god am
alice in chains

BASICS
NAME: Arden Ito Hamasaki
D.O.B: November 8th
AGE: Twenty-two
GENDER: Trans-male; he/they
ORIENTATION: Bisexual
ETHNICITY: Japanese-American
FAMILY: Avancini
ROLE: The Lovers

APPEARANCE
dressed to impress, unnerving gazes, tired eyes, silky hair, slight build, silver ear piercings reflecting in the sunlight, tattoo sleeve (coming soon), rare yet dorky smile
HEIGHT: 5โ€™7โ€
HAIR COLOR: Raven
EYE COLOR: Deep brown
FACECLAIM: Satsuki Nakayama

PSYCHE
A haunting, loverโ€™s quarrel, padlocked, melt down the key into a blade in the event that it could be dug up in the trash instead. Perhaps the most abrasive and obvious aspect of Ardenโ€™s personality is his introversion, or as otherโ€™s would refer to it, asocial assholery. A sharp, cutting edge, blunt with his words, time with a book or a warm mug of coffee held more important to him than small-talk. A flaw fatal to their relationships, towers preventing and shooting down any mending, not built upon hatred but fear; that kind of sinking, gut-wrenching fear that thereโ€™s more to him than blades, cufflinks and deceit. They avoid nearly as well as theyโ€™re able to conjure a plan. Protective of his guard-towers as he is of the people he holds dear. To them he is no pretender, but rather showing the sliver of a genuine person heโ€™s been holding back. The Arden that chuckles at a humorous line in his books and complains endlessly about his day. Overworked, overwhelmed, a constant to reach his own standardโ€”which he canโ€™t even see where it lies, or how much further beyond the clouds they must go. Itโ€™s endless, their own comfort in themself and select individuals; will they one day rekindle and craft a new key?

traits

reclusive, callous, loyal, calm, efficient, methodical, perfectionist, rational, deceitful, formal, stubborn, skeptical, aloof, destructive, patient, reserved, intimidating, assertive, resentful, protective, stoic, introverted, discontented, in their own world, unfazed, a good listener (whether by choice is debatable), keeping up appearances, reliable, pessimistic, smug

reputation

Venomous and sly, like the fangs of a rattlesnake, his presence brings about an air of danger and attracts many enemies.

Their violent history traced back and exaggerated beyond all recognition, his beginnings a mystery, their stoic face considered oddly and unsettlingly robotic. Listening, unwavering, unpredictable, their reputation is the weapon they carry. Whether conjured by fear or that their position is undeserved, earned by a man whoโ€™s not more than a ghost before his place in the Avancini family, his infamy precedes him.

ailments

stress-induced headaches/migraines, nicotine addiction

TIME MACHINE
HISTORY: can be as short or long as youโ€™d like.


GALLERY







-->


arden hamasaki.


designed by bad ending. & coded by xayah.แƒฆ
 
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XI.
the judge
scroll.















serial killer
moncrieff

VISAGE
NAME: hyong aria
NICKNAMES: ari
AGE: 24 years old
GENDER: cis-female
SEXUALITY: heteroflexible (too busy raging to worry about sexuality)
ETHNICITY: korean-american
FAMILY: adamski
ROLE: judgement

APPEARANCE
APPEARANCE: The kind of woman that on first glance looks like she would step on your neck, and you would be correct. With legs for days and never a single strand of silken black hair out of place, Aria doesn't look like the kind of woman plotting the gritty details of a gruesome murder. Standing at 5'4 and fairly slim figured, Aria's sharp facial features are considered attractive by modern standards. Intense coffee colored eyes compliment the keen shape of her cheek bones, leading to pouty peach-colored lips.
FACECLAIM: kim chungha

PSYCHE
PERSONALITY: The only surviving Hyong is a haunted shell of the former socialite she used to be. Gossip spilt over drinks and shopping trips are no longer exciting when your parents are dead. No amount of money or shiny things could fill what used to be a home, now covered in blood and empty of life. Aria has a much shorter temper now, no longer amused by trivial things or placated by luxury. The only thing of interest to Aria now, is blood.

A once bubbly girl, Aria has become strictly business. The only time you'll find the heiress at a party now is if she's gathering intel. Always laser focused on her mission for justice, Aria often comes off as cold, dismissive, and rude. Those who have known her longer than the tragedy that befell the Hyongs know otherwise. Beneath the shield and sword of justice, Aria is a compassionate, kind, and intelligent woman.

Where laughter once fell from her lips, venom now springs forth like a fountain. Aria lashes out at anyone who comes too close, even her closest childhood friends. Vengeance has consumed her, nothing will ever fill the empty pit inside of her until she holds the heart of the man who killed her family in her hands.

extra

- speaks fluent Korean
- has a Siamese cat named Mina
- has a mini poodle named Yu-na
- they all wear matching Gucci sweaters
-her aesthetic board
- her aesthetic: clenched fists, a snake coiled and ready to strike, the smell of a new gucci bag, a broken bottle of champagne, biting your tongue so hard you draw blood, a siamese cat, tear-stained dollar bills, a detailed plan.
theme song: gasoline - halsey

reputation

Before the slaughter of her family, Aria was well-known as a vapid socialite who frequented the upscale social scene with the Adamski children. In the aftermath, all kinds of rumors have started about the Hyong heriess, most frequently are the discussions of how far off the deep end she's gone. There is a glimmer of something in her eyes that makes you wonder just what twisted plans she's concocting.

BACKGROUND
HISTORY: Born the only child of a Korean immigrant and a former waitress, Aria's life wasn't always glamorous. Hyong Dae had just started his career with the Adamski family shortly before Jenny realized she was pregnant, and though bringing a child into a life of crime wasn't every parent's dream, it was the only way to ensure prosperity for their family. Dae served the Adamski family well, and the Hyongs became a part of the family as little Aria befriended each of the Adamski children with much enthusiasm.

Blood money stained childhood games of hopscotch and sleepovers were often spent trying to listen in on conversations behind closed doors, but Aria and the Adamski children lived as relatively normal lives as they could. Where her parents had struggled, their daughter was spoon fed the rewards of their hard work. It made Aria rather spoiled, but her parents always made sure that she understood that without hard work, none of it would be possible. The Hyongs were rich not just in finance, but in love and happiness as well.

Upon turning sixteen, Aria was brought into the family business. Only behind the scenes work was allowed, there was no way that Dae would ever put his daughter in harms way, but Aria admired her father and his work ethic so much that she wanted to follow in his footsteps. Despite not being related by blood, Aria was a loyal Adamski through and through.

Shortly after turning nineteen and finishing her first year of officially working as a foot soldier of the Adamski's, the Hyung family was targeted. Blood dripped down the grand staircase and onto the marble floor in such a dizzying pattern that it could've been hung in an art museum. In her heart, Aria knew what would await her at the top of the stairs. There, shot execution style, were her loving parents.

Some might call it mercy, to be spared the same cruel fate as her parents, but Aria was not thankful to be saved for she was ruined. Was she supposed to be grateful to be an orphan? To scrub the pinkish stains out of the floor until her hands were raw? To go to sleep in an empty mansion, no longer full of her mother's laughter or the decadent smell of her father's homemade Bulgogi.

Sparing Aria's life was the worst mistake Death could have made.

A thirst for revenge can turn a once fair maiden into a fire-breathing dragon. Just like a rose wilted away into only a stem of thorns, Aria became a vessel of pure, unadulterated hatred. Despite her young age, Aria lead the crusade against the Avancini's to avenge her parent's death. A few foot soldiers here and there met their end by Aria's delicate hands, but no matter how hard she tried, Death was impossible to get her hands on.

The day the treaty was signed Aria trashed the mansion and drank herself to oblivion, awaking in a pile of broken glass and spilt liquor. Matezh had made it abundantly clear that the Avancini were now off limits, for the sake of Andrej's happiness. It was as if her suffering meant nothing. The happiness of one traitor overshadowed the anguish she lived with every day.

She swore to be on her best behavior at the wedding, careful not to let anyone see the knife she had strapped beneath her dress or the fury that smoldered beneath her well=practiced smile. Death dared to show his face, mocking her with a face of pure apathy, and the beast Aria had been suppressing enraptured her, so consumed she barely noticed the champagne flute that had shattered in her fist. Inches away, so close to slitting his throat she could taste the metal on her tongue, when a hand firmly yanked hers away. Matezh scolded her in the hallway, taking her knife with him after a non-negotiable order to stay away from him.

The happiness of two traitors meant more to him than letting her have the one thing she had wanted, had desperately sought out tooth and nail for years now. But all that Aria had now, was the Adamski family, even when they had betrayed her, had made their bed with murderers.

The rage within her only boiled hotter, now more hell-like than forest fire. Such deep, hot anger and no where to release it. Aria spent her days killing, lying, and intimidating for the family. Anything to release the demon vengeance had made her. When she wasn't working, she was training or drinking. Sometimes both.

Aria would get her revenge no matter what it took. Even if the Adamski's killed her for breaking the treaty. There was no after, for her. Revenge was the end goal, and whatever came next would go up in flames with the last of her rage.

Aria does not care if she burns with it, as long as the Avancini empire goes down with her.


"People will never bleed enough to fulfill your vision of justice."




GALLERY










aria hyong.


designed by bad ending. & coded by xayah.แƒฆ
 
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MORENA YAMILET ALMANZA


- THE WHEEL OF FORTUNE -



Faceclaim: Jamila Velazquez

Age: 25
Gender: Cis female
Sexuality: Bisexual
Ethnicity: Latin American
Family: Adamski


Personality:
Power doesnโ€™t lie in numbers. It lies in a smile.

At first, Morena may seem to be an unassuming and harmless individual but thereโ€™s more to her than that. She is very extroverted, amicable and tends to be quite the chatterbox. She loves being in the spotlight. Sheโ€™s quite good at telling people what they want to hear and knows that flattery gets you everywhere, making her easily likeable. Sheโ€™s well versed in bargaining and is quite a skilled dealmaker; though she isnโ€™t always honest, she is always true to her word when it benefits her. Nevertheless, she could still sell you the sky with her sweet promises or thinly-veiled threats. She is a patient, ambitious woman who is aware of her power of spreading unity and conflict just by opening her mouth, which makes her as dangerous as any other criminal, despite being less outwardly intimidating. For her, having influence over so many important people and their actions is exhilarating.

On the other side, however, Morena is broken. Having witnessed so much violence and cruelty over the past years changed her; she became numb to it. She no longer flinched when people were subjected to torture or painful deaths. It became a fact of life. Her words caused deaths before, so it stopped having an effect on her. She would use them again if meant increasing her influence. Although protective of the ones she deems close, she wouldnโ€™t sacrifice her life or position for them. After all, she is aware that the wheel of fortune spins in oneโ€™s favour for only so long before eventually casting disaster upon them; having lived through so many ups and downs throughout her life, she wants to make the most out of the good times before the bad times come and if doing so means harm or even death to someone else, so be it. She convinced herself itโ€™s the only way to survive, if only to be able to look in the mirror again.

Albeit skilled when words come into play, sheโ€™s very much out of her element in more fast-paced moments. Sheโ€™s pretty weak physically and isnโ€™t a great shot. Furthermore, she caves in quickly during extreme situations and isnโ€™t very quick on her feet. She knows that she would lose in a fight, so she always delegated someone else to dirty their hands for her whenever possible. As such, she has never actually taken anyoneโ€™s life by herself. Sheโ€™s afraid to. Perhaps because of her religious upbringing, she believes thereโ€™s a part of her soul thatโ€™s still salvageable. Killing someone may just rid her of all remaining remorse and thus, her humanity; a terrifying prospect.

Deep underneath, there are layers of vulnerability within Morenaโ€™s psyche. Thereโ€™s always this nagging feeling in the back of her mind that she should leave all of this behind, though she knows she canโ€™t. Crime is all she knows and is good at. Everywhere else, she would feel alienated and undeserving. Power seems to be the only meaning in her life.

Background (CWโ€”violence, abuse, drugs, death):
Morena's story began in Mexico, in a rather unassuming manner. She was the sole daughter of Cristo, a pious single father; her mother had left them when Morena was very young. Her childhood wasn't the easiest, as the Almanzas weren't exactly wealthy. Her father, was making enough money to provide the basic necessities but couldn't afford much more than that. Nevertheless, Morena always had a way on Cristo and he would always fulfill her wishes when possible. Morena had always wondered what her father was doing as a profession; he was spending many long hours locked up in their shed, which he called his "workshop" and when asked what was inside, he would always respond with deliberate vagueness and forbade her to ever enter. As it was the only thing Cristo was adamant about despite Morenaโ€™s requests, she refrained from doing so. Strange men would occasionally visit their house to "do business" with Cristo and she quickly realized that whatever was happening behind closed doors was likely not normal, but never dared to investigate further.

Years passed. Morena managed to graduate a Catholic high school she had attended. Though a mediocre student, she was a beautiful young woman, quite popular at school. She was even in a few short-lived relationships. Life was normal. It wasn't meant to last, however. One day, upon returning home, she witnessed the same strange men as always, but this time she also saw her father lying on the floor, beaten up. It was at that moment that everything was explained to her: as she had suspected for some time, her father was cooking up drugs for a dangerous local cartel. This time, however, he seems to have done something wrong, though they never explained to her what it was โ€” perhaps he wasn't making enough or he tried to backstab them somehow. Nevertheless, the second the gangsters saw Morena, they proposed a dilemma for Cristo to right this wrong: either Morena becomes their leader's wife (as he apparently "enjoys them young") or they kill them both and find someone better to do the job. At that moment, Morena may have understood why her mom had left so long ago; perhaps she knew everything and didn't want to see the situation come to its inevitable conclusion.

What else could they have done? The odds were stacked against them. In a matter of weeks, 18 years old Morena became the wife of Marcelo del Rayo, the mastermind of the Del Rayo Cartel, a man 40 years her senior. She never got to see her father again and she didn't even know if he was still alive.

Life with Marcelo was difficult. He had an extremely short fuse. Morena had to bear all of his bad moods and it often ended in her getting yelled at or even hit. This continued for some time, until Morena found herself to be adapting. She found her way around the gangsters. She now knew what to say to Marcelo to appease him and calm him down. Eventually, she managed to win his adoration to the point that she even became his business assistant of sorts, which wildly differed from the tragic fates of Marcelo's previous wives. By his side, Morena witnessed executions, trafficked drugs, helped arrange dealings with corrupt politicians and corrupted honest ones. A smile there, a compliment here. She was gaining more and more knowledge each day. And with it came power. She had everything up until Marcelo's volatile heart finally gave out and he passed away. The resulting power vacuum and inner struggles between the Del Rayo led to an intense civil war. They were murderous, beyond reason. They wanted violence. Though she tried, not even Morena could get through to them. She distanced herself from the fight and watched as the cartel crumbled. The wheel of fortune spun again and once more, she lost it all.

Although no longer tied to Marcelo, Morena felt she had nothing to come back to. At this point, she knew nothing but crime, abuse and danger. And so, she stayed. Willingly. She salvaged what remained of the cartel, with most members dead, arrested or unwilling to follow her, many of their assets lost. Still, Morena resumed activity in this small, newly-found criminal group, operating on a much smaller scale.

A chance to spread her wings would soon come in the form of the Adamskisโ€™ middle child, who met with Morena to conduct some business with her. Morena had known them before; the Adamskis would sometimes cooperate and trade with the cartel back when Marcelo was still alive. Seeing them again, Morena was fascinated by them; they were from an environment and culture much different from hers. She fell in love with their personality, appearance and status; what else could she be asking for? They would meet again, this time less formally. Soon, their relationship grew to something very intimate and real. And when soon enough, the Adamski kid proposed to take her back home to the United States, she agreed without hesitation, leaving her old group behind without a farewell. She was always drawn to the more intricate and sophisticated realities of the US underworld and was determined to try again over there. After all, who could resist a nice smile?

Extra:
  1. Morena is fluent in Spanish, English and knows a bit of Portuguese.
  2. Although not nearly as devoted as she might have been as a child, Morena still holds some sentiment to religious aesthetics, often wearing paraphernalia such as crosses.
  3. Following Marcelo's death, she returned to her maiden name (Almanza), though she used to be known as Morena Yamilet del Rayo. She changed her name partly to signify the beginning of a new chapter in her life but also to make her even the slightest bit more difficult to find.
  4. She's still very much unaware of her parents' fate. She hasn't seen her mom since very early childhood and she doesn't know what became of her dad since she has last seen him seven years ago. She has, however, gotten used to the idea that she will never see them again and treats them as if they were dead.

Reputation: Morena is new in town, which led to generally mixed opinions towards her. After all, she is essentially an outsider to the feud between the Adamskis and the Avancinis, with little to no common history with either family besides the fact that Morena conducted business with the Adamskis as part of her former cartel. Not only that, sheโ€™s of a completely different culture and nationality; this surely would come as a problem to many of the more conservative voices within the dynasty. This makes her a sort of wildcard; the only people who know anything about her are those at least partially familiar with the politics of the Mexican criminal underworld. For most, however, she is an unknown. If so, what could even compel her to stay loyal to the Adamskis? Should she be allowed to be let so close to the key figures of the family?

Those who know her, however, are aware that sheโ€™s a competent drug runner and exquisite wordcraft. Even if she doesnโ€™t belong somewhere, she is able to convince people otherwise. Her appearance alone is enough for some to lower their guard, which she notices. Besides, the Moon surely knew what they were doing and wouldnโ€™t bring home just anyone, would they? Even if not as well-versed in secrecy as the spymaster or as ruthless as the soldiers, some surely believe her to be a valuable asset.

Maybe even the Avancini do so.

 
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X.
ten of swords
scroll.















shinigami eyes
grimes

VISAGE

FULL NAME:
Dakota Mekhi Camat Adamski

NICKNAME: Prefers 'Dakota', Kota, Mekhi (by his parents)

AGE: 23 years old

GENDER: Cis-male

SEXUALITY: Bisexual

ETHNICTY: Filipino and Polish-American

FAMILY: Adamski

ROLE: Ten of Swords

APPEARANCE

LOOKS:
Tall and lanky, Dakota possesses the body of the stereotypical model with slight muscle laced over his sun-kissed skin. His face is a culmination of sharp angles and pertains its youthful glow. Hair kept buzzed and bleached, Dakota often hodgepodges it with a variety of colours. Currently a faded, baby pink. His thick, commanding brows remain their natural black colour.

His left ear is pierced in several places and adorned with silver rings. In terms of his attire, Dakota has an eye for fashion and is usually found in a collection of understated, yet fresh pieces that come from young, up-and-coming designers. He believes in quality versus quantity, with his wardrobe reflecting his minimalist lifestyle. Mostly in neutral or muted colours, leaving the vibrant colours and rich prints for his portfolio. Accessorises if the occasion calls for it but always wears his father's simple silver chain that has a crucifix cross pendant. He may not be religious but it was all he had left of his father.

FACECLAIM: Evan Mock

PSYCHE

PERSONALITY:
The Adamski's family reeks of old money, opulence and desires being brought into fruition at their fingertips. Yet, for Dakota, he had the superpower of overthinking; being able to compartmentalise and dissect a car until it was nothing but spare parts and useless junk. The same could be said for wealth, which seemed to lose its allure, the shiny lustre being wiped clean after his parent's deaths.

Instead of relating to his cousin's children that he grew up with, Dakota felt more solidarity with the housing staff. This instilled within him to be appreciative for everything, with his words bubble-wrapped in graciousness and modesty. He was extremely well-mannered and well-spoken, always thanking the staff for their help in raising him. He knew all their names and even their families. In a tragic way, they were Dakota's only friends; unable to hold the same flame to his peers. Some say he is shy but rather Dakota is meek, avoiding the sweltering spotlight that his family seemingly crave.

This meekness has left Dakota with a roll of tape around his mouth in the presence of superiors or those in power. Instead of asking the burning questions, in Dakota fashion he speculates which leads to spiralling into a pensive state of despair and white-knuckled anxiety. Panic attacks the plenty that either lead to him shutting down or impulsive decision-making. Strong emotions can make the usually predictable Dakota an unpredictable curved-ball that feels as though he is being hoisted up by strings and becoming the devil's puppet. Self-hate follows as Dakota prefers to live a purposeful life, his decisions usually being painstakingly and deliberately made โ€” when he is in control at least.

Coupled with an over-imagination and creative soul, Dakota was content with colouring in then being bought the latest toys and gadgets. In fact, because Dakota had once lost everything, he started to live a minimalist lifestyle from a young age, most of his possessions fitting into a suitcase or two. He preferred it that way, or rather he preferred that there wasn't much someone could take from him. He was fickle and flighty to say the least, ready to run away from danger, yet never left the wolves' den. Part of him seemed ready to lose it at any moment and paranoia followed him like a sickness; a feeling of eyes burning a hole into the back of his head at all times of the day.

Dakota's brain is abnormal; a constant duel between his left and right brain hemispheres with the the left side sometimes bringing out the more analytical and mathematical side of Dakota. He believes that his brain is a beautiful culmination of his parents โ€” possessing his mother's creative soul and his father's business-savvy ideals. He enjoys solving problems (without a strict deadline and freedom) and is quite clever, numbers and equations coming naturally to him as much as a paintbrush to canvas. As he grew older he leaned into both sides and the duel become a well-rehearsed dance between both hemispheres. A marriage of numbers and art turned into a love for fashion; allowing him to feel as though he was making his parents proud, living on through his work.

A sense of justice and morals are in the forefront of Dakota's mind but he doesn't turn his nose up to the wealth that allows him to curate his albeit-small wardrobe, studio apartment or his prestigious university. Violence frightens him and he seems to detest such a display but is smart enough to know where the money comes from โ€” yet he still takes the Adamski's blood-money while preaching about his morals. He may be oblivious to the shrouded hypocrisy he possesses or maybe deep down Dakota knows he is no better than the rest of the Adamski family.

traits

agreeable, intelligent, overthinker, appreciative, creative, reserved, anxious/neurotic, cynical (at times?), idealistic to a fault, polite and courteous, well-spoken, good-natured(ish), fickle, deliberate/purposeful, pensive, sentimental, problem-solver, overimaginative, hypocritical, minimalist, meek, ambition buried deep, self-effacing.

LIKES

muslin draped over mannequins, dried paint on palettes, runways, classical and rap, romance films, equations, sudoku, empty spaces, foxes, layering clothing, unspoken confidence, concrete floors, sun peeking into the room, aesthetic book covers and fresh-off the press magazines.

DISLIKES

looming deadlines, violence, sound of gunfire (irony isn't lost on him), overdone trends, impolite or rude people, panic attacks, meat, spiralling, sour candy, tight spaces, being scolded, fast fashion.

AILMENTS

diagnosed generalised anxiety (takes medication for it), panic attacks, mild asthma and undiagnosed ptsd (don't they all?).


BACKGROUND

HISTORY:
Mr Adamski wasn't a nice man. The day he took over the infamous, fickle throne an expiry date was set in stone; as those before him. This expiry date was expedited with a ruthless chokehold on his "underlings" and a complete disregard for reason. Some say he was mad or mentally-ill, while others believe he was born without empathy โ€” as though God had rummaged deep into his brain and plucked it out.

His only son, Dakota, would see differently.

Calloused, blood-soaked hands cradled his prized possession โ€” a child who made all the death and suffering worth it. He would inherit it all and break the dreaded curse that follows the Adamski bloodline. It was all for him.

The coup began with mere whispers behind his back but Mr Adamski wasn't without awareness; he knew his "family" had turned on him before that fateful day. He was eventually circled by the power-hungry wolves but did not expect his own nephew to be at the head of the pack.

A confused Dakota was ushered into the wardrobe by his father; he had never seen his father cry until that day, even if it was one stray tear. In the darkness, small hands squeezed the well-loved, stuffed fox with each bang and thud. Dakota's ears rung as all stood silent outside of his hiding spot. That was until he heard his father speak.

I have one request, nephew. An uncle's final wish if you will indulge me. My son โ€” spare him.

No words were spent begging or pleading.

A final bang and thud followed.

He was found by the cleaning staff hours later; a combination of snot and spit drooling down his chubby face. They swept him up and returned him to his room, they knew that he was not meant to present during the murder. Fingers splayed across his eyes, they tried to cover the massacre that was his father, family and loyal subjects.

Safely tucked into bed, Dakota wasn't privy to what he had exactly witnessed but he later knew when he never saw his father, mother or anyone again. That was until the funeral and their faces were plastered on unmoving photos of a better time.

All he did know was that through the slit of the wardrobe he could make out one figure. A man that he could not burn from his memory, even at such a young age he would never forget his cousin's face and the smoking gun in his hand.

The same cousin that was now the new emperor.

The new Mr Adamski.

***​

Thanks to the solidarity and kindness of the housing staff and a few well-told lies, Dakota's whereabouts during the murder were kept secret. As planned, they believed that Dakota was safe and soundly sleeping in the nursery.

The metaphorical teat of his youth was replaced with an unhealthy amount of cynicism and a negative schema on death. Watchful eyes on him at all times; not like a doting mother who means well but men who played a part in his family's murder. The wolves that once circled their father now circled him.

Dakota never knew why the Emperor kept him in the compound or even why his heart kept beating but as he grew older he could only speculate. Did he represent the Emperor's morality for sparing the innocent or was he merely a living trophy of his achievement of betraying his uncle and ruling the kingdom? Even now, Dakota doesn't know and hasn't dared to ask the Emperor.

He was welcomed into the new Adamski family with opened arms but Dakota couldn't shake those lingering thoughts that kept him up late at night.

All Dakota did know was this wasn't his family.

Not anymore.

His new family became the housing staff that maintained the Adamski's lavish lifestyle; answering their every whim or snap of the fingers. A new nanny was shipped in to cater to Dakota, a French woman who provided the warmth a child needed. Throw in some maids who always had the time of day to listen to him, the butler who would play hide and seek with him during their brief breaks and other kind staffers โ€” Dakota had a family. A makeshift family but one that Dakota grew to love and helped him develop into the young man he is today.

Once he was old enough, they began gently folding him into the family business. In fact, it seemed he had his father's natural business-savvy nature and a knack for numbers. Thankfully, Dakota's duties were limited to the more "legitimate" forms of Adamski business, which revolved around meeting with prospective partners who didn't mind the family's reputation and dealing with their finances.

A dual degree in business (majoring in finance) and fashion; one may raise their eyebrows up at the juxtaposition but Dakota had his mother's creative eye and soul. She was a painter, a famous one at that. Dakota hopes to own his own fashion label or experiment in the realm of runway.

He dreams to be fully independent and not reliant on what once was his father's money that was in the Emperor's blood-stained hands. The same money that should be his. Yet, he wonders if those shackles could ever be broken or he was doomed to stay in this family rife of betrayal and violence.

See there is another dream, or rather a nightmare, that enters Dakota's head. One that arises from the fact his father knew he was going to die that day. He wanted Dakota to witness it. He was sure of it โ€” but why?

Sometimes he thinks it was so Dakota saw his father's killer, his cousin, for what he really was.

And someday the tables will be turned with Dakota holding that same gun towards his cousin's chest and telling him to beg for his children's lives.

It was only a thought thoughโ€”

Right?


REPUTATION: The only fear that Dakota Adamski instils in others is by his father's association. Dakota is known for staying in line and obeying authority figures; nothing more than a small cog into the Adamski empire. He prefers it that way, if anything he would prefer to have no association to them but that would close many doors that have opened for the remaining Mr Adamski son. He is known to turn away in the face of violence and has a certain fragility to him that others unwillingly accept since he is technically under the Emperor's protection. Some believe he acts as though his morality places him on a higher pedestal than others who resort to violence. Is maybe too cordial and friendly with the Avancini's since the truce but he wouldn't dare betray themโ€”right?

He wouldn't hurt a fly. I heard the kid has a panic attack at the sight of fucking blood.

A humble cog in the machine, not many know the full extent that Dakota has had for creating an influx of legitimate business revenues for the Adamski's as a failsafe. Researching and making deals with failing yet promising companies and businesses for a percentage cut. Dakota wouldn't be committing a crime if the money that was injecting into these businesses were covered in blood. In the legal world they would call it money laundering. In Dakota's eyes he calls it giving back to the community as these once failing businesses were now thriving with the capital and business models that Dakota carefully planned. Never pressures or threatens these businesses, allowing them to make their own decision, but do they really have a choice when crossing paths with an Adamski?

Look I'll give him that, he is quite bright for his age. Never noticed an error or outlier in his financial records.

In the fashion world, buzz and praise are becoming more than whispers for the young designer; on the tip of tongues of some serious critics and the feeds of some prestigious designers. Invited to exclusive shows, runways and events; Dakota has a keen eye for style, textile and melding them together to tell meaningful stories. Despite his skills and innovation, it does beg the question whether he is truly making his own mark or rather his name and status are to account for this newfound reputation.

His pieces are fresh but not in a pretentious way. I look forward to his first collection; I expect big things for Dakota Adamski.

EXTRAS:
- his parents married and only met later in life, with his father commissioning a portrait of himself from a famous painter who specialises in portraits and photorealistic art (aka. dakota's soon-to-be mother)
- an adamski partner of non-polish descent proved an issue for their marriage but considering someone was strung up for complaining behind his back, most fell into line quickly after that
- rents out a studio apartment that is above a reformed industrial warehouse that houses a quaint cafรฉ and florist below. exposed beams, concrete floors and wide open space is what appealed him to it
- uses the apartment for his fashion designing as well; spools of fabric and half-finished projects are the only indication it is lived in
- still spends time at the adamski residence to see the housing staff, especially an older maid who has been with the family for decades. the same woman who pulled him from that closet. also to keep up pleasantries of course with the other adamski members
- has never dared to stare into his cousin's eyes
- is in the works of developing his first fashion runway (thanks to adamski money of course)
- often completes his finance assignments on the last day they are due
- paces when he is stressed, thumbing his father's pendant
- is pescatarian (loves salmon too much)
- knows French thanks to his nanny
- a hopeless romantic with commitment issues
- keeps a revolver under his bed in a shoebox but has never fired it. once belonged to his father



GALLERY










dakota 'kota' adamski.


designed by bad ending. & coded by xayah.แƒฆ
 
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marnie
















#avancini




#artificer










โ™กcoded by uxieโ™ก



Name: marina edwards
Nickname: everyone just calls her marnie.
Age: 26
Gender: female
Sexuality: panromantic & pansexual
Ethnicity: british & unknown
Family: avancini
Role: the artificer

Faceclaim: emelia clarke
Appearance: happy smiles, deranged lines of laughter, expressive eyebrow movements, platinum blonde dyed hair, sunshine eyes.

Personality: the one with a mind of the universe and heart of earth. perhaps one of the happier ones in a family tied together not by the blood in their bodies but on their hands. no energy can quite match that of the eccentric marnie, always chirping about like a bird who has only known of freedom and life. an energy wild and bright with visions kaleidoscopic and creative.

this woman is always on the journey to see the world with new insights and actualizing the crazy and impossible; the sky might be the limit to those standing with their feet on the ground but she is soaring above with the galaxy at her fingertips, knowing no boundaries when it comes to exploring the madness in ideas. and sure, perhaps marnie is bit mad -- but maybe that's just the price you pay for the smiles you smile while creating such devices of destruction and death.

what is it though, you may ask, that drives this being of shades brilliant yet wild. could it be the curiosity that seems to stretch beyond this ether? it very well may be, with the way days and nights are spend in their work space, figure hunched over their worktable and hands moving as fast as a mind of its own galaxy ideates. marnie's curiosity knows no lines that can't be crossed, no prices that are too high, and no rationalism rational enough to interfere; there is always a new innovation to be discovered, a new reality to be woven, and it is worth everything.

does this make her unpredictable? perhaps; she does perform many on the spot stunts that are either ingenious or undeniably delivering her friends and family a headache (or both) and the consequences of her actions aren't much of a concern to her. there is something about this starlight canvas and all of its chaotic dark matter that makes you sweat a little bit, its everchanging patterns holding a fate over you that can either save or destroy you. you might shout your concerns to the sky and it may echo it back, but do the stars ever truly listen?

it is not that she doesn't care, though. marnie, in all her self-absorbed madness, cares deeply. her heart, erratic as it is, holds no doubts over the want to bring happiness to others. what marnie might lack in social cues and propriety, she makes up with this pure and vibrant kind of support. you can count on her to find any way, nevertheless how odd it may be, to help you in what you need. you can find loyalty in her, can find love --

just as long as you remember what her wonderland entails.

there is beauty in madness,

but it isn't always beautiful.

Background:

(tw: death )

death surrounds you. it smells a lot like smoke, tastes a lot like blood, and you can see it materialize in a pair of corpses, lain at your feet, mouth open, eyes blank, holes plenty. tears stream down your face washing away some of the blood spatters on your cheeks. you don't know anything, a voice calls from the dead, resembling a mother's protective whisper. you don't know anything, it repeats, with urgency, with desperation. memories flash through your mind, ones that will die alongside them today and won't come back. your eyes stare at the figure in front of you and you watch, silently, blankly, how their hand directs their steeled weapon at you, aim and intent crystal clear. still, you do not feel fear, not even with death's arms stretched out to you. you merely take a step forward, closer to the only embrace there currently is.

my dear, you don't know any-

a shot goes off, and your world darkens.

. . .
you wake up, white lights blinding you and muffled noises in the background. you wake up in a room you do not know, staring at faces you do not know -- but what do you know? there is a deep void in your mind, one you can't tell if it has always existed or not. there are some things there; hazy colors, vague visions, inexplicable feelings; you can reach them, touch them even, but holding them you can not. and as soon as these faces begin to talk to you, they disappear again, back into the darkness that homes them.

your head hurts. it hurts a lot, so much so that you want to go back to sleep again, never mind all these strangers who speak words you do not understand. but you don't get to sleep again. instead, a man steps forward, hands silencing the voicing in the air. he kneels down beside your bed, just close enough that you can count the odd dark spots here and there on his face and hands. his lips part and forth comes a voice rough yet calm.

"do you know anything?" he merely asks.

do you?

you don't know anything, a voice echoes in your head, and so you shake her head.

whether it is the right response or not, you do not know, and maybe never will. he exchanges glances with the others in the room, before turning back to you.

"let me tell you who you are then. you are marina edwards-" that is a pretty name, you think. "--and you are my daughter."

hm.


a sense of discomfort suddenly emerges within you; it is abstruse yet stubborn.

it feels closely to a will to fight that last statement.

something tells you he isn't right.

but with no memories in your mind, how can you tell he is wrong?

so you accept it, truth or not.

because what else can you do?

. . .
you decide you like your father. he is very nice to you, gives you a lot of freedom, and even teaches you how to make cool gadgets. you can't deny he's a little strange though, always muttering about past mistakes, power and gods. he has a spiel that often comes during those late hours, right when it's too late to call it midnight but too early to call it morning. the first time is when you show him your first creation; a cat plushy that makes people sleep instantly once they hold it.

"you know, your mind is too bright for this world, child. people will fear you for your creations, will hate you for it, but do not mind them. they don't understand you, will never understand you. you and me, our talents, our work, is that of something grander than what their realities can imagine. we are not made to stand among these people here like we are one and the same; our place is among gods."

"gods?" you repeat.


"who else is able to walk these planes and breathe life into these glorious creations? people can thrive, because we made it so. they can die if we decide that they must."

"so i can become a god?" you ask.

he merely shakes his head, letting out a sigh as if you are missing what he is saying.

"not become, my child; you already are. it may not seem like it now, but marina-"

"marnie."
you correct him, having decided that marina, while pretty, is not as fun to say and hear as marnie.

he narrows his eyes, obviously displeased you interrupted him, but continues nonetheless -- and with your correction;

"as i was saying, marnie, your inventions will be powerful enough to shatter realities. you can change the present and future as you like. everything and all, can and will be at the mercy of you. you are the universe marnie, you and your mind. "

as bright-minded as you are, you don't quite get what he is saying. still, the thought of being a god sounds pretty cool. it makes you smile, and a new determination rises, sparkling with an innocence you don't know you already lost.

"then, i will be the best god there is!"

. . .​

death surrounds you. it smells a lot like burned flesh, tastes a lot like ash, and your eyes glance upon the black, charred body that could only belong to that of your father. what happened here is something the both of you have talked about before. "people will abhor our creations and in turn, will abhor us." the voice of the dead echoes through your mind. "their hatred can drive them insane, set them on a path of violent vengeance, thinking it is rightful retribution. they are wrong." it states, full of conviction, of honor. memories seep into the mind, breathing life back into a face now scorched and beyond recognition. they stay for a while, letting you be with your dear fellow nebula again, just before reality has to catch on again. you know very well what has come to him, might also come to you. still, you do not feel fear, not even with this many blood on your hands.

death smiles at you.

and you smile back.

they don't know anything.



[ because you will still be, even after you die;
these creations will carry your soul when your body no longer can.
and you will create, for as long as this vessel holds.
you can do anything.
maybe even find a new family again. ]

Reputation:

"i heard the artificer of the avancini likes to collect footage of their work in action and that they watch it back like watching a movie, popcorn included."

"did you hear the rumour about them being recruited straight out of a mental hospital?"

"i personally have a theory that they were actually part of the adamski family first but they ran away. i don't know, maybe they did something very bad. like almost blasting the big boss his balls off-"

"someone told me that their go to work song is starships but like, the glee version."

"people are saying that even the avancini themselves are kind of afraid of them, so they do everything to keep them on their side...."

"chloe told me they were a directioner. ugh no, mom, the boyband..."

"rumour has it that they have been working on something very big..."

[more to be added]


Extra:
 
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Ryu Sun-Min


hwang hyunjin
knight of wands

ยบ ยบ code by ditto ยบ ยบ


Ryu Sun-Min
oh, i do wish i werent so rotten

Full Name: Ryu Sun-Min
Nickname: Sunny or Min
Age: 23
Gender: demi-guy
Sexuality: muscles
Ethnicity: korean-japanese-american
Family: Avancini
Role: the knight of wands

Faceclaim: hwang hunjin
Appearance: Sun-Min is of lithe stature and rather short, standing at 5'2". He wears his hair long and bleached white. He is fond of pearls over diamonds and along with a set of pearls, he always keeps a slightly pink and worn pearl rosary. He will always be seen in chunky heeled boots (for ease of running without compromising fashion). Though in certain areas he can be seen wearing stilettos. This makes him seem taller than he really is, but gives him an extra intimidating boost. He wears light makeup and often gets his nails done into sharp black claws (yes he sometimes accidentally pokes himself but don't tell anyone).

Personality: Sun-Min is likely one of the most fiery and passionate people you know. He's quick to love, hate, laugh, and cry and there's not much anyone can do to make him feel any less. He feels emotions on high all the time and while it makes for a whirlwind of a time when he's happy, it also means a hurricane when he's upset. Despite his extreme emotions, he's a mostly kind and friendly person with a sharp wit and a pretty charm to him. He's highly motivated and has a drive to succeed in everything he puts his mind to, not willing to back down or give up. Sun-Min does have a penchant for thievery, especially things he finds pretty or interesting. His space is decked out ceiling to floor with an abundance of knickknacks, pilfered jewelry, clothes, shoes, and strangely enough, music boxes. Most of which he has no receipt for. Or was likely bought illegally with something else he's stolen. But, Jekyll? Meet Hyde. While Sun-Min is friendly, kind, almost too pure for the violent world of crime that is the Avancinis, he's also got a deep-seated bloodlust and a mean-streak a mile wide. There's a reason Sun-Min is where he's at and it's because he's good at getting what the Avancinis want done. He's a soldier and spares no mind to the blood he's wrought. He's a nightmare at the best of times when the switch is flipped. Covered in blood that isn't his, with rusty knives at the ready, and a manic, sharp-toothed smile to complete his look.

Background: Not much is publicly known about Sun-Min. Just this: His father was a soldier for the Avancinis, his mother was a kind woman. His father had a temper and one early morning, some other Avancini soldiers would come to the Ryu home to find both Mr. and Mrs. Ryu dead in the living room. Sun-Min was under his bed, bloody but unharmed. He was holding his mother's pearl rosary. No one knows what really happened, but it was passed off to the police as an intruder scenario.
Extra:
Reputation:
Some people definitely think that Sun-Min is a childish, annoying little snowflake who prefers not getting his hands dirty with anything. Those who know him know that he's a bit more off kilter than he seems.

There's a huge rumor that Sun-Min killed his mom and stole her rosary and when Sun-Min's dad found out, Sun-Min killed him too. There are multiple facts to back this up and Sun-Min has never denied it's what happened.

Aesthetic: pearls, bloody knuckles, roses on fire, lavender perfume, purple smoke, neon lights, switchblades, smeared lipstick, silent screaming, angry tears, scarred hands, strawberries, low cut floor length dresses


code by valen t.
 
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home
one
two
three
  • nickname: jas

    age: 34

    gender: male

    sexuality: asexual, biromantic

    Ethnicity: british-indian, american

    family: avancini

    faceclaim: avan jogia

    role: king of swords
    a family member responsible for reconnaissance and planning, the king of swords is as double-edged as their name suggests. subtle enough to gain access to key locations and individuals, and sharp enough to create effective plans with the information they gather, they are a vital part of any complicated job, and a familiar face to many. there is an easy charm to them, hiding a razor-sharp mind and an interminable store of knowledge.

    who are they really, when all the doors are closed and all the eyes are turned away?

    jasper mistri

    King of Swords​

    (scroll)
coded by weldherwings.
 
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