VanillaSunrise
Old Soul Trapped In An Old Body
I disagree with the notion some express that they're running out of ideas because remakes and adaptations because those have been staples of cinema since damn near the beginning. Studios like to make money and like it or not the live action version of things people are familiar with is an easy way to sell to an audience. I don't have much of an issue with remakes. 2015's Cinderella was a good, fine, enjoyable movie. 2017's Beauty and the Beast was...less so, and Dumbo was...not good but Aladdin looks fun and I am one hundred percent not the target audience for Dora. If a movie is good, it's good regardless if it's a remake or an adaptation or whatever; A Star Is Born is the third time that movie has been remade and this go around it basically proved to be a big hit.
It's not that Hollywood producers are running out of ideas, it's that generally they have an idea as to what sells and they are more likely to put all their advertising money into something that comes to the market with pre-existing familiarity than to back something that is unknown and likely to flop. But there are still plenty of movies released every year that are fresh and original and often still have studio backing; the problem is they get buried at the box office because for the casual market it's the big blockbusters and tentpoles and familiar remakes that get the most push and attention.
Live action takes on familiar franchises is basically an inevitability. And if the end result is a good movie then there's really no problem. The issue is when studios decide that name alone is enough to just dump a crappy movie in theaters and that's why Paul W.S. Anderson still somehow gets to make movies.
It's not that Hollywood producers are running out of ideas, it's that generally they have an idea as to what sells and they are more likely to put all their advertising money into something that comes to the market with pre-existing familiarity than to back something that is unknown and likely to flop. But there are still plenty of movies released every year that are fresh and original and often still have studio backing; the problem is they get buried at the box office because for the casual market it's the big blockbusters and tentpoles and familiar remakes that get the most push and attention.
Live action takes on familiar franchises is basically an inevitability. And if the end result is a good movie then there's really no problem. The issue is when studios decide that name alone is enough to just dump a crappy movie in theaters and that's why Paul W.S. Anderson still somehow gets to make movies.