Grouse
bow chicka bow wow
tl;dr
Timezone: PT / GMT-7
Medium: PM, thread, Google Docs, e-mail
Genre: Any; As long as there is potential for worldbuilding
Level Requirement: N/A; I’ve been doing this for 10+ years
Length Requirement: N/A; I write anywhere from 100-1000 words
Frequency Requirement: ≥ 1 per week ; I can post ≥ 1 every 1-3 days (conservative estimate)
Romance: Not required; No preferred orientation
Characters: Either sex; Typically older (21+)
Coding: No
Character Sheets/Face Claims: No; Willing to provide a simple one upon request
Smut: No
Violence/Drugs/Etc.: As necessary
Timezone: PT / GMT-7
Medium: PM, thread, Google Docs, e-mail
Genre: Any; As long as there is potential for worldbuilding
Level Requirement: N/A; I’ve been doing this for 10+ years
Length Requirement: N/A; I write anywhere from 100-1000 words
Frequency Requirement: ≥ 1 per week ; I can post ≥ 1 every 1-3 days (conservative estimate)
Romance: Not required; No preferred orientation
Characters: Either sex; Typically older (21+)
Coding: No
Character Sheets/Face Claims: No; Willing to provide a simple one upon request
Smut: No
Violence/Drugs/Etc.: As necessary
Me
You
I am currently looking for partners.
Hello! My name is Grouse, and I’m too lazy to type stuff about me you probably couldn’t care less about, so I’ll spare you the agony. (Proceeds to type stuff about me...) Know that I’m a full-time university student with a part-time gig as a research assistant and some other volunteer work on the side so sometimes I can get my hands tied. But other than that, my life is null and void, so expect consistent bursts of activity (i.e., at least 1 post every 1-3 day/s) besides the occasional bump.
I can write both males and females, and prefer writing older (21+) characters. My posts are anywhere from 100 - 1000 words . As long as you give me enough to work with, I’ll try to make our RP environment as immersive as I can.
When it comes to dark themes and issues, feel free to throw political correctness out of the window. I honestly don’t care; it’s pretty hard to offend me. Drugs, self-harm, violence, gore, mental illness, sexual assault -- all fine (in the context of RP, my friends). Shit, I’ll even take incest if the story really calls for it. Key phrase here for everything above though: if the story really calls for it. That said, if you’re going to explicitly bring mental illness into this, please do your research. My major touches a lot on the subject, so while I can’t claim to be an expert, I will know if you’re getting the fundamentals horribly wrong -- and if you are, I will be very, very sad.
Romance is not required. However, I’m not going to assume our characters are going to bang unless the RP is explicitly romantic (note: none of the prompts below are, but the potential is there). Otherwise, if they do have some form of chemistry, and you want things to go to poundtown eventually, let me know in advance because I tend to be oblivious about these things. This way, at least in the coming posts, I can have my character notice your character’s purdy eyes, and we have a nice set-up to the impending fireworks display.
That said, smut is off the table. Not just because it’s against site rules, but because my sexy-time prose is everything to laugh at.
Character sheets and face claims are not my cuppa. I could spout some BS about how I believe it’s better to simply get to know the character through RP, and how they could be restrictive to the RP, but I won’t. The real reason is I’m lazy as fuck, and would just rather delve straight into the story rather than have to work on supplementary stuff. That said, feel free to request (a simple!) one from me if you really feel it helps.
Coding is a big no-no. Like I said, lazy as fuck. I know I’m being a bit of a hypocrite with this post, but something this simple actually took me more than three hours to make, and just … no. I don’t mind if you want your posts to look pretty though.
If it’s been a while since I last replied and I didn’t give you prior notice, feel free to dangle me over a rooftop, put a gun to a puppy’s head, call my mum (okay, I draw the line there), whatever. Force me to write. Sometimes (i.e., most times), I get a bit scatterbrained. In fact, I’ve been known to write long replies before forgetting to actually hit the submit button. And then I go on thinking my partner’s abandoned me when I’m actually the one doing the ghosting. That kind of scenario should only belong on a sitcom, so please don’t hesitate to give me that extra push if you feel I need it.
Lastly, and I think it’s important for me to say this now to clear things up, I have a tendency to come off as an aloof motherfucker OOC. I’m shy -- by which I mean I’ve been diagnosed with an anxiety disorder, and avoidance is my archnemesis. That said, I’m not going to get panic attacks if you message me OOC. Just want to warn you: I can seem like a snobby little bitch at first. I do love plotting, swooning/bitching over characters, and talking about general nonsense as much as the average player, but if you’re the type of person who needs a tonne of OOC action, you’re going to have to reach out. A lot. (I’m trying, I swear). Eventually, I’ll habituate out of my anxiety and act like a normal person, but until then, I am, in fact, one of the infamous robots some posts here often reference.
I can write both males and females, and prefer writing older (21+) characters. My posts are anywhere from 100 - 1000 words . As long as you give me enough to work with, I’ll try to make our RP environment as immersive as I can.
When it comes to dark themes and issues, feel free to throw political correctness out of the window. I honestly don’t care; it’s pretty hard to offend me. Drugs, self-harm, violence, gore, mental illness, sexual assault -- all fine (in the context of RP, my friends). Shit, I’ll even take incest if the story really calls for it. Key phrase here for everything above though: if the story really calls for it. That said, if you’re going to explicitly bring mental illness into this, please do your research. My major touches a lot on the subject, so while I can’t claim to be an expert, I will know if you’re getting the fundamentals horribly wrong -- and if you are, I will be very, very sad.
Romance is not required. However, I’m not going to assume our characters are going to bang unless the RP is explicitly romantic (note: none of the prompts below are, but the potential is there). Otherwise, if they do have some form of chemistry, and you want things to go to poundtown eventually, let me know in advance because I tend to be oblivious about these things. This way, at least in the coming posts, I can have my character notice your character’s purdy eyes, and we have a nice set-up to the impending fireworks display.
That said, smut is off the table. Not just because it’s against site rules, but because my sexy-time prose is everything to laugh at.
Character sheets and face claims are not my cuppa. I could spout some BS about how I believe it’s better to simply get to know the character through RP, and how they could be restrictive to the RP, but I won’t. The real reason is I’m lazy as fuck, and would just rather delve straight into the story rather than have to work on supplementary stuff. That said, feel free to request (a simple!) one from me if you really feel it helps.
Coding is a big no-no. Like I said, lazy as fuck. I know I’m being a bit of a hypocrite with this post, but something this simple actually took me more than three hours to make, and just … no. I don’t mind if you want your posts to look pretty though.
If it’s been a while since I last replied and I didn’t give you prior notice, feel free to dangle me over a rooftop, put a gun to a puppy’s head, call my mum (okay, I draw the line there), whatever. Force me to write. Sometimes (i.e., most times), I get a bit scatterbrained. In fact, I’ve been known to write long replies before forgetting to actually hit the submit button. And then I go on thinking my partner’s abandoned me when I’m actually the one doing the ghosting. That kind of scenario should only belong on a sitcom, so please don’t hesitate to give me that extra push if you feel I need it.
Lastly, and I think it’s important for me to say this now to clear things up, I have a tendency to come off as an aloof motherfucker OOC. I’m shy -- by which I mean I’ve been diagnosed with an anxiety disorder, and avoidance is my archnemesis. That said, I’m not going to get panic attacks if you message me OOC. Just want to warn you: I can seem like a snobby little bitch at first. I do love plotting, swooning/bitching over characters, and talking about general nonsense as much as the average player, but if you’re the type of person who needs a tonne of OOC action, you’re going to have to reach out. A lot. (I’m trying, I swear). Eventually, I’ll habituate out of my anxiety and act like a normal person, but until then, I am, in fact, one of the infamous robots some posts here often reference.
You
You can write as much or as little you want -- just give me something to work with. If I think it’s not enough, I’ll let you know. As long as you’re literate (which you are, considering you’re able to read this right now), I would love to write stories with you. That is to say: I wouldn’t judge you over the occasional grammar or spelling mistake. I make them, too. Descriptive over prescriptive grammar any day, my man. It also doesn’t matter if you just learned what RP is last night, or if you’ve been RP-ing for longer than I’ve lived: I would love to write with you all the same.
You don’t have to rapid-fire with me. I get that real-life gets in the way, and sometimes the brain just won’t cooperate. If you could manage one post a week, I would be happy. Any less frequent, and I take it as a hint that your interest is waning. That’s natural. It happens. I wouldn’t hold it against you better sleep with one eye open, punk. If at that point, though, you still want to try doing something else with me, don’t hesitate to let me know.
Doubling/Playing multiple, diverse characters is the one thing I do require. We don’t have to focus on the secondary cast as much, but occasionally I would like to be able to see the world through their eyes. Things can get stale pretty fast when every scene ever just revolves around the same two people.
Basically, this: You’ll be golden as long as you’re willing to tell stories. Good stories. Stories that keep me on the edge of my seat. I don’t like extremely pre-planned scenarios. It feels like painting by the numbers, but with words. It’s not exciting. Be creative. Pull things out of your ass if you have to. That’s, like, 90% of RP anyway. Why not go all the way? Seriously: Surprise me. Make me feel things. I’ll try to do the same.
You don’t have to rapid-fire with me. I get that real-life gets in the way, and sometimes the brain just won’t cooperate. If you could manage one post a week, I would be happy. Any less frequent, and I take it as a hint that your interest is waning. That’s natural. It happens. I wouldn’t hold it against you better sleep with one eye open, punk. If at that point, though, you still want to try doing something else with me, don’t hesitate to let me know.
Doubling/Playing multiple, diverse characters is the one thing I do require. We don’t have to focus on the secondary cast as much, but occasionally I would like to be able to see the world through their eyes. Things can get stale pretty fast when every scene ever just revolves around the same two people.
Basically, this: You’ll be golden as long as you’re willing to tell stories. Good stories. Stories that keep me on the edge of my seat. I don’t like extremely pre-planned scenarios. It feels like painting by the numbers, but with words. It’s not exciting. Be creative. Pull things out of your ass if you have to. That’s, like, 90% of RP anyway. Why not go all the way? Seriously: Surprise me. Make me feel things. I’ll try to do the same.
I am currently looking for partners.
- I generally don’t have a preference for which character I’d like to play. That said, some prompts already include a starter, so it’s given which of the two I’d like to play. Of course, I could always be convinced to simply make a new one.
If someone has already expressed interest in doing a certain prompt with me, but you’re interested in doing your own take on it as well, don’t be afraid to approach me anyway! If a prompt gets too much demand, I might have to turn you down, but let me know what you have in mind anyway, and if it’s different enough from what I’m currently doing with the others, I’ll still be up for it! - Your character must be canon. They must have died in their universe (alternatively, draw them from an AU where they died at one point), and they must have done something to have earned them eternal damnation in the afterlife. Please refrain from using overpowered characters.
Spoilers for Being Human UK ahead.
Instead of subjecting the condemned to physical torture, hell is more of a place thriving on mental anguish. Each individual damned is given a unique universe, specially catered to making them feel remorse and torment.
Since his death, John Mitchell has found himself stranded on a perpetually running train. This is his hell. He has resigned himself to his fate -- his after-death sentence, so to speak. That is before, one day, the train stops, and the doors open.
Your Character has been tinkering with the controls. For whatever reason, they have managed to escape their hell, and have landed straight into Mitchell’s. Together, the two try to find their way out.
Starter (Warning: Excruciatingly long)
Spoilers for DAII and DA:I ahead.
Hawke never frees Corypheus. Solas never finds anyone powerful enough to activate the orb, the Divine doesn’t get murdered, and the Inquisition is never recalled. The Conclave results in Exalted Marches over Thedas. It is believed that Hawke -- champion of Mage rights -- perished in one the many crusades. Eventually, peace and order are restored back to Thedas, with the Chantry coming out the victor in both Templar Revolt and Mage Rebellion.
Fast forward to the future. Technology has advanced; society not so much. Mages remain feared -- and countermeasures are effective more than ever. By law, newborns are tested for magical potential. Those who test positive are given two fates: Euthanasia, or Tranquility.
Of course, the technology has not been perfected yet. Some manage to slip through the cracks. With the systematic genocide, their abilities have weakened over time, their magic in the real world almost useless, but at least they are still allowed one true power: the freedom to wander the Veil, the land of dreaming.
At night, while people sleep, a revolution brews in Kirkwall.
Lots of potential for worldbuilding here, but I would love for a major conflict to be introduced at some point. Blight, Corypheus, Solas, or any combination of the three come to mind.
You must play at least one of Mercy/Genji/McCree, and at least one of Jack/Gabriel/Ana
I've been itching to do an Overwatch RP set back when the organisation was still in operation. Specifically, I am looking to do something that's more or less faithful to canon, while adding in 'the details' of the different characters' relationships with each other. This means the RP will be more character-centric before plot-centric (not to say I wouldn't appreciate a good plot!)
The RP will start somewhere after Overwatch finds nearly-dead Genji. Mercy is tasked with rehabilitating him, and McCree with helping him assimilate into Blackwatch. Jack and Gabriel are at odds about what to do with the Shimada, with tensions between them starting to reveal cracks beneath the surface. - Note: Would prefer to have this set somewhere in the 90’s or early 00’s, if only because I think it’ll be tricky to pull this off in the internet age; also due to the nature of the premise, I will absolutely not do character sheets requests for this one
Muse A feels that their life is going nowhere. Day in and day out, it’s the same faces, same places, same shit. They get up, go to work, go home, take the train, take the same stop, over and over again. Lather. Rinse. Repeat. Except one day, they finally decide to break the cycle. Their stop comes up, and they never get off. They just want to run. Get away. Take a breath of fresh air. Even just for a while.
Muse B is in the same situation, and on the same train. In fact, they have similar enough schedules that neither one is truly unfamiliar with the other -- of course, they’ve never really talked to each other either.
When Muse A misses their stop, Muse B (whose stop comes later) is struck mildly curious, and misses their own stop in the process. Eventually, it’s clear neither really want to get off -- or at least go home.
They talk. They decide to run together, travel the country/continent for three months just to take a break from their problems, their lives. They hop from city to city, pretending to be different people leading different lives.
At the same time, they also set rules: They can’t know each other’s personal details, or why they’re running in the first place. After three months, they get back to their own lives, and get back to being strangers on a train.
Disclaimer: Prompt unashamedly stolen from the plot of the 2006 movie Priceless/Hors de prix (Check it out; it’s hilarious!)
Muse A is a gold digger hanging around an extremely luxurious resort. One night, Muse A mistakes Muse B for a rich person, and decides to make them their next mark. Muse B finds themselves attracted to Muse A, so they decide to play along. Hilarity/awkwardness ensues. Eventually, things come to light; Muse B is just as broke as Muse A. Maybe they become friends, or maybe Muse A resents Muse B for playing them, but either way they both eventually find their own respective sugar mommy/daddy, and they try to make a competition out of it (or Muse A mentors Muse B in the ancient art of gold diggery).
Note: This will most likely be a short-term RP, by which I mean it’s not as open-ended/doesn’t have much room to move the plot further -- but hey! The possibility is there.
Hailing from a small town, Muse A and B used to be the best of friends growing up. After high school, however, Muse A left for college to pursue bigger dreams while Muse B stayed behind. Years pass, and since this was before the age of Facebook and internet, they drift apart.
Twenty-five years later, now successful and a completely different person, Muse A finds themselves back home. They bump into Muse B eventually. Alcohol flows, and the two middle-aged people try to relive their youth -- getting into the same sorts of hijinks they used to get into, or wanted to get into before. Old wounds also re-open, and they try to explore how they could be so inseparable once upon a time, only for their friendship to disappear into the void. - Note: The mystery can either be grounded in reality or fantasy. Again, we can work it out together.
Muse A and Muse B are both staying at a shabby, dodgy motel ran by an equally shabby and dodgy owner who seems to be everywhere all at once. Their rooms are right next to each other. One night, Muse A inadvertently lock themselves out of their room. Muse A tries to find the creepy motel owner but he isn’t anywhere, so they turn to their neighbour for help.
The excruciating awkwardness was just about to end when a strange noise is heard outside, and the pair decide to investigate.
Why Muse B is there in the first place (long-term renter? Travelling and just passing through?) is up to you, of course. The mystery behind the place is also something we can work on together.
Starter - Note: I’m not looking to make this too dark. If you could leave logic at the door, thanks. This is the type of cartoony world where you can get thrown out of the seventh floor, bore a hole through the cement on your way down, and still come out with minimal scratches (not to mention, you know, alive).
Muse A is broke and unemployed when they finally get a call back from someone. It’s some clerical work (with a little extra on the side). Doesn’t sound like anything they can’t handle. They bite. Well. Maybe their employers deliberately misled them. Maybe Muse A is just kind of dumb. Whatever the reason, they suddenly find themselves a henchman for one of the local supervillains.
Muse B is your garden-variety damsel in distress. They dated a superhero once, and now the supervillains are convinced kidnapping Muse B is the best way to get the superhero’s attention. And so Muse B gets kidnapped and rescued. A lot. So much that it’s become less of a traumatic experience and more of a daily nuisance at this point.
There’s a lot of downtime in between the time Muse B gets captured, and the time they get rescued. Eventually, out of boredom, they befriend Muse A, who’s been assigned to watch them the past couple incidents.
We can build on that relationship, as well as discuss the possibility of the two of them actually knowing each other beyond this supervillain business.
The King and Queen of the Fae are gone -- what happened to them, no one knows. In their absence, the forest is thrown into chaos. Whereas the two Courts used to co-exist in mutual symbiosis, they now seek to overwhelm the other. The Sun favours the Seelie, whereas the Moon plays patron to the Unseelie. Thus, in the summer, the Seelie gains the upper-hand, but in the winter, the Unseelie tramples them.
The royalty disappeared at the start of fall. As the clock draws past the autumnal equinox, the swinging balance of powers threatens the fate of the fair-folk. The great majority of the Fae do not want to cooperate with their respective counterparts. It is not in their nature. The remaining leaders of each court, however, understand the necessity of their co-existence. It would be hard to persuade all of the masses, but a last resort remains available.
They send two champions -- one from each Court -- to investigate the royal disappearance, and hopefully restore order back into their society. Unfortunately, doing so requires venturing out of the forest -- into a world their kind has never known. The two must depend on each other if they wish to survive and complete their quest.
We can work out whether the ‘world outside the forest’ is set in an urban fantasy setting or something else (1800’s, medieval, etc).
Muse A is a fantasy writer. Scratch that. Muse A is a terrible fantasy writer**. So terrible, in fact, that they make a living writing trashy, best-selling novellas sold on airports and train stations. Presumably, the pain of reading their prose can overshadow the agony of having to sit still for hours on end. That’s all well and good, of course. It puts food on the table. It buys them the alcohol they need to write the next installment.
One day, Muse A’s stories start coming to life. They’re not faithful adaptations, but the happenings are similar enough that anyone with half a brain can connect the dots. As it turns out, some all-powerful being (Satan? Jesus? Morgan Freeman? The possibilities are endless) is a fan. This is their way of giving kudos to Muse A and their masterpieces.
Logically, this makes Muse A plan to abuse this ‘power’. They have been crushing on Muse B -- the cute barista at the local coffee shop -- so they decide to put their newfound privileges in action, and write a blatant self-insert novel where they get to save and romance Muse B.
Turns out Satan-Jesus-Freeman wants some fun of their own. Some events in the book indeed do come true -- including, for example, the epic monster supposed to terrorise the city. Others don’t get adapted into reality -- Muse A isn’t given overpowered powers (not to mention other ... enhancements). At the end of the day, they are still just a regular person. Hell, Muse B isn’t even in love with them!
Even worse: Muse B’s life is still in danger. And it’s all Muse A’s fault.
Now, to fix this ...
**I know self-inserts are generally looked down on, but let me have just this one, mmkay?
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