starboob
lover / leaver
Three months.
In three months, the young photographer has managed to do nothing more than capture the glare of their camera flash; each blur a taunt. The longer they stare at the blank photographs, the louder the absent laughter rings.
Miro doesn’t look away. Miro can’t look away. Their eyes burn into the photograph, studying the dark shapes around the glare as if they expect to see a face staring back at them. All they catch is their own faint reflection and the shadow behind it.
It’s going to destroy them.
It’s going to be okay.
The young photographer sighs, dropping the tension from their shoulders as they toss the photograph of nothing into the burning green flames.
The dark circle around their vision seems worse today, but maybe that’s the lack of proper sleep. Sometimes the shadows in their eyes shift and make shapes at the corner – which can be entertaining if one has the right attitude about it – and each time Miro turns to face the figure, they disappear. As does the memory of the shape, only leaving a vague imprint in their imagination much like a dream. ‘Is this a dream?’
That would be preferable to the alternative. This is how Miro knows it’s real. Reality bites too hard to ignore.
They run their fingers through their fresh buzz cut, enjoying the tickle against their palm (another piece of evidence that this is all real) before they pull the beanie back over their head, tucking just the tips of their ears underneath it. They warm their bandaged hands with their breath – not that they need it (the bandages or the warmth); it’s the act of going through the motions of normalcy that helps ease the fugue. Shifting the weight of the bag on their shoulder, they reach over to tap the bell on the counter.
“Agh!” They yelp, taking a half hop back as a figure springs up from behind the counter, as if she had been waiting specifically for the bell to make her presence known.
“Hello, ma – sir,” the innkeep grins, unapologetic if not reveling in the fright. She folds her arms neatly, one over the other, and kicks her feet up behind her on the rolling chair that she's kneeling on. “Welcome to the Sleeping Siren, are you here to stay the night or forever?”
“Uhh…?”
“I’ll put you down for a night,” she nods, pulling up a dusty old book from underneath the desk. It opens itself to a page half full of entries with indecipherable scrawl and the woman dutifully adds to that scrawl. She pauses a few times to look Miro over, mumbling things like, “short,” and, “clueless,” and, “hint of pomegranate with a rising note of sarsaparilla.” Her tongue pokes out from the side of her mouth as she jots down these notes like a scholar studying an ancient tome might. She absently reaches behind her and yanks off a pamphlet from the bulletin board, slamming it down on the counter and pulling her palm away to reveal a set of keys (like, real keys). “Ah, lucky you. Room 13. Be sure to read the pamphlet before going out. It’ll get you all set up for your etern – uh, regular stay in Bellwick Springs! If you need anything, good luck.”
“Oh, uh… Thanks?” Miro rubs the back of their neck, peering over the cover of the pamphlet. “Wait – this says to beware the cottontails?”
“Indeed! Ravenous bunch after sundown.” The innkeep fails to elaborate more than that. She spins on her chair and exaggeratedly shimmies back into hiding underneath the desk. Whistles and bells sound below, followed by dull bumping. “Off you go! Off, off.”
It has not even been a full 24-hours in Bellwick Springs and Miro has already started one fire (accident), made an enemy of the papergirl (misunderstanding), and been detained for the wrongful crossing of the street while chewing gum (???). This is the quietest their life has ever been, especially considering the recent three months.
‘So this is life in the country, huh?’ Bellwick Springs may not, by definition, qualify as the country, but to the newcomer from the Undersky it might as well be. (Even if it doesn’t live up to their imagination where they pictured sprawling green fields and friendly wildlife.)
They rub the butt of their trusty pocket knife against the corner of their head, just below the brim of their well worn beanie. Their eyes rake over the contents of the pamphlet the innkeep gave to them, raising their brow every now and again — though after last night’s disaster run through the forest, little surprises them. One encounter with blinking trees and the discovery of carnivorous cottontails inures a person to the oddities of Bellwick Springs rather quickly. Or it at least inures Miro, who has been cited as a possible source for saving the polar ice caps with their level of chill. (Well, one person in particular thought so.)
Even with the odd encounters of last night’s midnight — the fire being the most normal event of the prior evening — they find it all charming. More than that, the oddity of such a place speaks to the presence of the Seam, a constant in their dreams as of late.
Of course. Of course they will go.
It’s not even a choice.
They just need to trackdown Valentine Thorne, local good witch – the would be first witch Miro has ever known, if they ever manage to find her. Thus far, all attempts at locating the witch have been fruitless. Miro is not yet defeated – if anything, they are convinced they must be close, since there can’t possibly be many more places for her to be lurking. They’ve already tried her charming little abode in the outskirts beyond Blueberry Lane (and were chased off the property by particularly aggressive butterflies), the café she’s known to frequent (it’s the only café), and a few shops (the only shops).
Miro has to be close.
They set the pamphlet down, sip on the beer they’ve been nursing for the better part of an hour, and then pull their portable Communication Assistance Transmitter (C.A.T.) from their pocket out of sheer habit. Even if they could reach high – they aren’t particularly tall – they doubt they’d actually be able to scrape together even a nip of service. Bellwick Springs is a certified deadzone.
That has to be the most unnerving aspect of the town.
“Yeah, signal is no good here,” Kehlani sighs, reading the newcomer's disappointment with ease as she comes down to wipe the bar top. “Gonna have to get used to that. I recommend allying yourself with a local pigeon or two. The pink one with spots is pretty reliable. Just stay away from David,” she practically hisses the name. Then her eyebrows rocket up. “What? Why are you looking at me like that?”
Miro would like the record to show that they are not giving Kehlani any look whatsoever – it’s just exceptionally difficult for them to hold any semblance of composure when Mist Terry is glaring at them from behind the beautiful barmaid. Her muscled arms are crossed over her chest, brow raised in a silent dare. While Miro is unclear of the relationship between the bartender and barmaid, it is absolutely crystals that Mist is, at the very least, protective of Kehlani. (With good reason, too. Those fishermen have been leering at the woman since Miro’s been loitering in the establishment.) And just because Miro isn’t some leering fisherman doesn’t mean they get any such special treatment. If anything, they get the sense the bartender is twice as suspicious of them. ‘Her muscles aren’t even that big. I’m not scared.’
They’re a little scared.
“Wh - what? Like what?” They scratch over the bandage covering a good portion of their left cheek; though the second their fingertips touch the gauze, it slides behind their ear, touching the small "V" tattoo instead. “I just. This is my face," they hurriedly explain. "And I've never used a pigeon before." They've only ever run through flocks of them, but they decide against mentioning that. For all they know, that could be a high crime in Bellwick. "Think they could help me deliver a message to Valentine Thorne?"
In three months, the young photographer has managed to do nothing more than capture the glare of their camera flash; each blur a taunt. The longer they stare at the blank photographs, the louder the absent laughter rings.
Miro doesn’t look away. Miro can’t look away. Their eyes burn into the photograph, studying the dark shapes around the glare as if they expect to see a face staring back at them. All they catch is their own faint reflection and the shadow behind it.
It’s going to destroy them.
It’s going to be okay.
The young photographer sighs, dropping the tension from their shoulders as they toss the photograph of nothing into the burning green flames.
***
The dark circle around their vision seems worse today, but maybe that’s the lack of proper sleep. Sometimes the shadows in their eyes shift and make shapes at the corner – which can be entertaining if one has the right attitude about it – and each time Miro turns to face the figure, they disappear. As does the memory of the shape, only leaving a vague imprint in their imagination much like a dream. ‘Is this a dream?’
That would be preferable to the alternative. This is how Miro knows it’s real. Reality bites too hard to ignore.
They run their fingers through their fresh buzz cut, enjoying the tickle against their palm (another piece of evidence that this is all real) before they pull the beanie back over their head, tucking just the tips of their ears underneath it. They warm their bandaged hands with their breath – not that they need it (the bandages or the warmth); it’s the act of going through the motions of normalcy that helps ease the fugue. Shifting the weight of the bag on their shoulder, they reach over to tap the bell on the counter.
“Agh!” They yelp, taking a half hop back as a figure springs up from behind the counter, as if she had been waiting specifically for the bell to make her presence known.
“Hello, ma – sir,” the innkeep grins, unapologetic if not reveling in the fright. She folds her arms neatly, one over the other, and kicks her feet up behind her on the rolling chair that she's kneeling on. “Welcome to the Sleeping Siren, are you here to stay the night or forever?”
“Uhh…?”
“I’ll put you down for a night,” she nods, pulling up a dusty old book from underneath the desk. It opens itself to a page half full of entries with indecipherable scrawl and the woman dutifully adds to that scrawl. She pauses a few times to look Miro over, mumbling things like, “short,” and, “clueless,” and, “hint of pomegranate with a rising note of sarsaparilla.” Her tongue pokes out from the side of her mouth as she jots down these notes like a scholar studying an ancient tome might. She absently reaches behind her and yanks off a pamphlet from the bulletin board, slamming it down on the counter and pulling her palm away to reveal a set of keys (like, real keys). “Ah, lucky you. Room 13. Be sure to read the pamphlet before going out. It’ll get you all set up for your etern – uh, regular stay in Bellwick Springs! If you need anything, good luck.”
“Oh, uh… Thanks?” Miro rubs the back of their neck, peering over the cover of the pamphlet. “Wait – this says to beware the cottontails?”
“Indeed! Ravenous bunch after sundown.” The innkeep fails to elaborate more than that. She spins on her chair and exaggeratedly shimmies back into hiding underneath the desk. Whistles and bells sound below, followed by dull bumping. “Off you go! Off, off.”
***
It has not even been a full 24-hours in Bellwick Springs and Miro has already started one fire (accident), made an enemy of the papergirl (misunderstanding), and been detained for the wrongful crossing of the street while chewing gum (???). This is the quietest their life has ever been, especially considering the recent three months.
‘So this is life in the country, huh?’ Bellwick Springs may not, by definition, qualify as the country, but to the newcomer from the Undersky it might as well be. (Even if it doesn’t live up to their imagination where they pictured sprawling green fields and friendly wildlife.)
They rub the butt of their trusty pocket knife against the corner of their head, just below the brim of their well worn beanie. Their eyes rake over the contents of the pamphlet the innkeep gave to them, raising their brow every now and again — though after last night’s disaster run through the forest, little surprises them. One encounter with blinking trees and the discovery of carnivorous cottontails inures a person to the oddities of Bellwick Springs rather quickly. Or it at least inures Miro, who has been cited as a possible source for saving the polar ice caps with their level of chill. (Well, one person in particular thought so.)
Even with the odd encounters of last night’s midnight — the fire being the most normal event of the prior evening — they find it all charming. More than that, the oddity of such a place speaks to the presence of the Seam, a constant in their dreams as of late.
“Will you go?”
Of course. Of course they will go.
It’s not even a choice.
They just need to trackdown Valentine Thorne, local good witch – the would be first witch Miro has ever known, if they ever manage to find her. Thus far, all attempts at locating the witch have been fruitless. Miro is not yet defeated – if anything, they are convinced they must be close, since there can’t possibly be many more places for her to be lurking. They’ve already tried her charming little abode in the outskirts beyond Blueberry Lane (and were chased off the property by particularly aggressive butterflies), the café she’s known to frequent (it’s the only café), and a few shops (the only shops).
Miro has to be close.
They set the pamphlet down, sip on the beer they’ve been nursing for the better part of an hour, and then pull their portable Communication Assistance Transmitter (C.A.T.) from their pocket out of sheer habit. Even if they could reach high – they aren’t particularly tall – they doubt they’d actually be able to scrape together even a nip of service. Bellwick Springs is a certified deadzone.
That has to be the most unnerving aspect of the town.
“Yeah, signal is no good here,” Kehlani sighs, reading the newcomer's disappointment with ease as she comes down to wipe the bar top. “Gonna have to get used to that. I recommend allying yourself with a local pigeon or two. The pink one with spots is pretty reliable. Just stay away from David,” she practically hisses the name. Then her eyebrows rocket up. “What? Why are you looking at me like that?”
Miro would like the record to show that they are not giving Kehlani any look whatsoever – it’s just exceptionally difficult for them to hold any semblance of composure when Mist Terry is glaring at them from behind the beautiful barmaid. Her muscled arms are crossed over her chest, brow raised in a silent dare. While Miro is unclear of the relationship between the bartender and barmaid, it is absolutely crystals that Mist is, at the very least, protective of Kehlani. (With good reason, too. Those fishermen have been leering at the woman since Miro’s been loitering in the establishment.) And just because Miro isn’t some leering fisherman doesn’t mean they get any such special treatment. If anything, they get the sense the bartender is twice as suspicious of them. ‘Her muscles aren’t even that big. I’m not scared.’
They’re a little scared.
“Wh - what? Like what?” They scratch over the bandage covering a good portion of their left cheek; though the second their fingertips touch the gauze, it slides behind their ear, touching the small "V" tattoo instead. “I just. This is my face," they hurriedly explain. "And I've never used a pigeon before." They've only ever run through flocks of them, but they decide against mentioning that. For all they know, that could be a high crime in Bellwick. "Think they could help me deliver a message to Valentine Thorne?"
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