starboob
lover / leaver
Poets wax on about the ultimate healer, time.
Unfortunately, those fools fail to consider the everlasting nature of a goddess’s curse. Three years has done nothing to ease the growing hunger, the constant pull of her stomach.
It used to be that a body could keep her belly full for months like a snake. Now, she fears, not even an army could find the bottom of her appetite.
The princess’s skin pulls itself taut over her knuckles, cheekbones, eyelids – all of her stretched from the starvation though she is far from starved. (The prisons are almost emptied in her belly.) From beneath the skin, the hunger presses. It knocks against the tips of her fingers, bulges around her eyes, and worms down to the marrow of her bones until it is all of her from breath to bone. The veins in her eyes have burst, giving them an especially monstrous glow from her corner of the dungeon.
At the dungeon’s only dinner table are two souls, the monstress and the damned, but the heartbeats of the castle above are thunderous in her ears. If she were to close her eyes she could map out its occupants to their exact position; from her father in the eastern wing, sitting with his generals in the war room, to the flurry of maidens scrubbing the castle’s marbled floors. A day more without feeding and the entire country would be no more a mystery to her.
The prisoner whimpers at the table, reminding the princess that she is not alone. Her eyes flutter closed, hands gathering to fists in her lap. Her tongue glides over her fangs, imagining them sharper than they are.
The prisoner swallows. The stone in his throat quivers as sweat races down his temple and soaks his naked front. His heartbeat reaches for the goddess above, roaring louder than all the castle.
Ismenia opens her eyes.
“P-Princess –” His lips tremble, but his plea is not faster than the monstress.
She lunges across the table, fingers digging into the prisoner’s collarbones; they crack like dry branches. Her jaw breaks through his throat and, with a swift jerk, the piece of meat is ripped free.
Warmth floods her mouth as grease dribbles down her chin, adding a layer of sheen to the spills of blood down her front. She swallows the chunk of flesh without chewing while the meal beneath her writhes like he has a chance against death.
Four years ago to the day, the Princess of Oerinth and the King of Belmir were wed. On the night of their wedding, without provocation, the princess stuck her sword through her newly wed husband. It is said that when his blood splattered across her face, a single droplet fell to her lips and turned her into the monstress, a cannibal queen.
So the stories go, at least.
Too many details have been changed that Ismenia can rarely be bothered to correct the rumors – no one cares, so long as she is the perfect monster to her father’s ever growing kingdom.
The dress laid out on her bed mirrors the one she wore four years ago to the day. That one had been a splotchy dark blue with patterns of silver stitched to form starry nebulae; diamonds smaller than poppy seeds had been sewn into the fabric to reflect the then-bride’s chosen constellation, one she had hoped would guide her marriage.
Four years ago she had chosen the lovers, a tale of a couple who grew to love each other after circumstances had forced them together. It felt fitting, at the time, as she stared into the silverpools to have her marriage fortune read; as she sat across from a man who was twice her age, whose disdain for her did not require a soothsayer nor dreamweaver to interpret.
This dress, similar to her wedding dress, is a splotchy maroon and it is the constellation of death that she wears instead, a choice her father insisted upon. The Belmira royal brooch, a pulsing ruby gemstone, will sit like the insult it is over her breast. As if the Belmira could forget who slaughtered their beloved king and now sits on his throne, even if she does not rule.
It's a further insult to make a celebration of the Belmira King's death day. Though it should have come as no surprise that the King of Oerinth would use this day to honor his acquisition of Belmir, bringing it into Oerinth’s fold. His armored head is sure to turn him into a cautionary tale that those like him will ignore. Bread and circuses have brought down greater empires, so the dreamweavers warn, but so long as the eyes of the goddess warm the plains and valleys of Oerinth, King Antoni’s mind will not be changed.
Ismenia has her doubts that Oerinth will continue to receive favor. It is the goddess, after all, who replaced her tongue and stole her stomach. (“A monstress shall learn her place.”) Then again, it was not the Kingdom of Oerinth that stuck a sword through the favored King of Belmir. That crime belongs to Ismenia and her hand alone. Perhaps the goddess is capable of differentiating the princess from her people. It has been a prosperous year for Oerinth, after all.
The steam from the sweet rolls peels off the serving platters in delicate curls and Ismenia wishes for nothing more than to take the brooch from her breast and stick it in her eyes. That would at least add something of worth to the inane flattery, rather than watch these lords and ladies of the court make a competition of whose nose can scoop up the most shit from King Antoni’s ass.
Perhaps it would also stop them from stealing glances of the princess monstress and ease their hands from the daggers at their hips. (As if that could work. If only.)
Ismenia catches the eye of some duchess or other. She smiles to flash her fangs and flicks her tongue over her lips like she’s staring down a morsel. Mostly, she just wants to see the paint on her face start to melt.
She smirks as the duchess swallows and excuses herself from her father’s company.
“Ismenia,” Antoni scolds through a tight smile. “Try for some air, darling.”
“If a guard goes missing,” she matches his smile, pushing herself up from the table. The entire room stills – were it not for the enchanted instruments, it might have gone quiet – as hundreds of eyes track the monstress’s movements. She leans over to kiss her father’s temple and they both pretend to ignore how he goes stiff; that his fingers tighten ever so slightly around the dinner knife. “My hands are clean. I’ve already fed today.”
Free from the suffocation of her father’s table, Ismenia cuts through the room. Knots of guests untie themselves as they spot her, parting so that she may pass without interruption. Their conversations quiet like a traveling whisper, but Ismenia pays it no mind.
Three years has inured her to the fear she inspires. She lifts her chin above it all, eyes roving over the guests, nobles and commoners alike. Gradually, the ale softens the guests once more as they realize the monstress is not on the prowl. Some even bump into her with their clumsy feet and she keeps them righted, pushing them back before they can realize whose hand has helped them.
With her back to a wall, she settles beside a stranger, expectantly waiting for them to find refuge at the opposite end of the Great Hall. When the stranger remains, the princess turns toward them, giving them a once over. “Well?” Her brow arches and she makes a dramatic show of offering her hand. “If you are not going to cow, at least ask for the honor of a dance. I shall refrain from biting.”
Unfortunately, those fools fail to consider the everlasting nature of a goddess’s curse. Three years has done nothing to ease the growing hunger, the constant pull of her stomach.
It used to be that a body could keep her belly full for months like a snake. Now, she fears, not even an army could find the bottom of her appetite.
The princess’s skin pulls itself taut over her knuckles, cheekbones, eyelids – all of her stretched from the starvation though she is far from starved. (The prisons are almost emptied in her belly.) From beneath the skin, the hunger presses. It knocks against the tips of her fingers, bulges around her eyes, and worms down to the marrow of her bones until it is all of her from breath to bone. The veins in her eyes have burst, giving them an especially monstrous glow from her corner of the dungeon.
At the dungeon’s only dinner table are two souls, the monstress and the damned, but the heartbeats of the castle above are thunderous in her ears. If she were to close her eyes she could map out its occupants to their exact position; from her father in the eastern wing, sitting with his generals in the war room, to the flurry of maidens scrubbing the castle’s marbled floors. A day more without feeding and the entire country would be no more a mystery to her.
The prisoner whimpers at the table, reminding the princess that she is not alone. Her eyes flutter closed, hands gathering to fists in her lap. Her tongue glides over her fangs, imagining them sharper than they are.
The prisoner swallows. The stone in his throat quivers as sweat races down his temple and soaks his naked front. His heartbeat reaches for the goddess above, roaring louder than all the castle.
Ismenia opens her eyes.
“P-Princess –” His lips tremble, but his plea is not faster than the monstress.
She lunges across the table, fingers digging into the prisoner’s collarbones; they crack like dry branches. Her jaw breaks through his throat and, with a swift jerk, the piece of meat is ripped free.
Warmth floods her mouth as grease dribbles down her chin, adding a layer of sheen to the spills of blood down her front. She swallows the chunk of flesh without chewing while the meal beneath her writhes like he has a chance against death.
Four years ago to the day, the Princess of Oerinth and the King of Belmir were wed. On the night of their wedding, without provocation, the princess stuck her sword through her newly wed husband. It is said that when his blood splattered across her face, a single droplet fell to her lips and turned her into the monstress, a cannibal queen.
So the stories go, at least.
Too many details have been changed that Ismenia can rarely be bothered to correct the rumors – no one cares, so long as she is the perfect monster to her father’s ever growing kingdom.
The dress laid out on her bed mirrors the one she wore four years ago to the day. That one had been a splotchy dark blue with patterns of silver stitched to form starry nebulae; diamonds smaller than poppy seeds had been sewn into the fabric to reflect the then-bride’s chosen constellation, one she had hoped would guide her marriage.
Four years ago she had chosen the lovers, a tale of a couple who grew to love each other after circumstances had forced them together. It felt fitting, at the time, as she stared into the silverpools to have her marriage fortune read; as she sat across from a man who was twice her age, whose disdain for her did not require a soothsayer nor dreamweaver to interpret.
This dress, similar to her wedding dress, is a splotchy maroon and it is the constellation of death that she wears instead, a choice her father insisted upon. The Belmira royal brooch, a pulsing ruby gemstone, will sit like the insult it is over her breast. As if the Belmira could forget who slaughtered their beloved king and now sits on his throne, even if she does not rule.
It's a further insult to make a celebration of the Belmira King's death day. Though it should have come as no surprise that the King of Oerinth would use this day to honor his acquisition of Belmir, bringing it into Oerinth’s fold. His armored head is sure to turn him into a cautionary tale that those like him will ignore. Bread and circuses have brought down greater empires, so the dreamweavers warn, but so long as the eyes of the goddess warm the plains and valleys of Oerinth, King Antoni’s mind will not be changed.
Ismenia has her doubts that Oerinth will continue to receive favor. It is the goddess, after all, who replaced her tongue and stole her stomach. (“A monstress shall learn her place.”) Then again, it was not the Kingdom of Oerinth that stuck a sword through the favored King of Belmir. That crime belongs to Ismenia and her hand alone. Perhaps the goddess is capable of differentiating the princess from her people. It has been a prosperous year for Oerinth, after all.
The steam from the sweet rolls peels off the serving platters in delicate curls and Ismenia wishes for nothing more than to take the brooch from her breast and stick it in her eyes. That would at least add something of worth to the inane flattery, rather than watch these lords and ladies of the court make a competition of whose nose can scoop up the most shit from King Antoni’s ass.
Perhaps it would also stop them from stealing glances of the princess monstress and ease their hands from the daggers at their hips. (As if that could work. If only.)
Ismenia catches the eye of some duchess or other. She smiles to flash her fangs and flicks her tongue over her lips like she’s staring down a morsel. Mostly, she just wants to see the paint on her face start to melt.
She smirks as the duchess swallows and excuses herself from her father’s company.
“Ismenia,” Antoni scolds through a tight smile. “Try for some air, darling.”
“If a guard goes missing,” she matches his smile, pushing herself up from the table. The entire room stills – were it not for the enchanted instruments, it might have gone quiet – as hundreds of eyes track the monstress’s movements. She leans over to kiss her father’s temple and they both pretend to ignore how he goes stiff; that his fingers tighten ever so slightly around the dinner knife. “My hands are clean. I’ve already fed today.”
Free from the suffocation of her father’s table, Ismenia cuts through the room. Knots of guests untie themselves as they spot her, parting so that she may pass without interruption. Their conversations quiet like a traveling whisper, but Ismenia pays it no mind.
Three years has inured her to the fear she inspires. She lifts her chin above it all, eyes roving over the guests, nobles and commoners alike. Gradually, the ale softens the guests once more as they realize the monstress is not on the prowl. Some even bump into her with their clumsy feet and she keeps them righted, pushing them back before they can realize whose hand has helped them.
With her back to a wall, she settles beside a stranger, expectantly waiting for them to find refuge at the opposite end of the Great Hall. When the stranger remains, the princess turns toward them, giving them a once over. “Well?” Her brow arches and she makes a dramatic show of offering her hand. “If you are not going to cow, at least ask for the honor of a dance. I shall refrain from biting.”